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Vanke Zhangxinhu Yuanshe

LSD Interior Design

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Dining room - Guo Xinxin
Kitchen - Guo Xinxin
Bedroom - Guo Xinxin
Dining room - Guo Xinxin

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
House
4.86
5.46
5.19
4.94
5.11
Gokhan Avcioglu
Gokhan Avcioglu Principal and Founder at Global Architecture Development
7
7
6
7
6.75
Benjamin Iborra Wicksteed
Benjamin Iborra Wicksteed Partner and Creative Director at Mesura
3
5
4
3
3.75
Eric Wang
Eric Wang Head of Marketing and E-Commerce APAC at Duravit
5.93
5.4
5.97
5
5.58
Tessa Mansfield
Tessa Mansfield Chief Creative Officer at Stylus
5.5
5
5.5
6.25
5.56
Lene Utbjoe
Lene Utbjoe Discipline Lead at Henning Larsen
6
5
6
4
5.25
Agata Kurzela
Agata Kurzela Founder and Design Director at Agata Kurzela Studio
6.5
7
6
7
6.63
Andras Klopfer
Andras Klopfer Managing Partner at BWM Retail
A nice concept in harmony with the...
6.5
6.5
6.5
6.5
6.5
John Lam
John Lam Co-Founder and Design Strategist at State of Culture
The Japanese Zen garden space offer...
4.72
5.3
4.72
4.92
4.92
Victoria Schneyer
Victoria Schneyer Global Head of Store Design at Hugo Boss
4
7
6
5
5.5
Norman-Henner Plattner
Norman-Henner Plattner Head of Store Development at The KaDeWe Group
6
6
5
5
5.5
Client
Shanghai Vanke
Floor area
314 ㎡
Completion
2022
Budget
RMB 267.000,000
Finishes

In the design of the Palm Lake project, LSD interior design consciously searched for a design language that is different from the traditional interior space's decorative interface and visual aesthetic expression-based on the overall space design strategy, and incorporated emotional expression into it. This promotes the exploration and presentation of the design in terms of spatial sequence, texture, material, light and shadow.

The first floor of the building is used as a social and interactive space, and the design is based on outdoor landscape resources. Each independent space has reserved openings that can be opened to enter the courtyard at any time.

According to the specific characteristics of functions and usage scenarios, the designer divides the space in a flexible but rigorous order, and then arranges it reasonably according to this order, so that each functional room has an independent internal and external environment, overflowing from the comfortable interior layer by layer, until real nature.

The open space layout almost eliminates the boundary between the outdoor courtyard and the dining room. The use of interior materials continues the natural sense of originality, not so white white walls, tiny piled cotton and linen, and the subtle textures on the wood that can only be seen when you get close.