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Toro Salon Pau Casals Barcelona

Estudi Francesc Pons

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Single-Brand Store
5.74
6.54
6.04
5.79
6.03
Misak Terzibasiyan
Misak Terzibasiyan Founder and Principal Architect at UArchitects
5.26
5.61
5.78
5.44
5.52
Claudia Fischer-Appelt
Claudia Fischer-Appelt Founder and Creative Director at Karl Anders
6.04
6.41
5.98
5.57
6
Sabine Krieg
Sabine Krieg Dean of the design faculty at University of Applied Sciences Düsseldorf
6.1
7.1
5.74
6.67
6.4
Rian Knop
Rian Knop Founder at Studio Rianknop
5.62
6.51
5.99
5.99
6.03
Nills Gesman
Nills Gesman Architect & Design Sales Manager at Cosentino
Nice space with daylight and bright...
5
6.95
5.95
5
5.73
Li Wenqiang
Li Wenqiang Founder & Design Director at PIG Design
6.02
6.02
6.31
5
5.84
Anna Sundukova
Anna Sundukova Head of Experience Strategy and Founding Partner at Denizen
5.1
6.51
5.96
5.01
5.65
Lynn Ya'nan
Lynn Ya'nan Partner & Brand Director at HYLLA Cultural Tourism Development
6.4
7.14
6.27
6.72
6.63
Yorgo Lykouria
Yorgo Lykouria Creative Principal at Rainlight
There is a strong cohesion here - a...
5.74
6.7
6.81
5.95
6.3
Alexandra Georgescu
Alexandra Georgescu Founding Partner at KOGAA
5.16
6.2
5.2
6
5.64
Jan Geysen
Jan Geysen Founder and Head Designer at PUUR interieurarchitecten
A serene and warm atmosphere is cre...
6.67
6.74
6.45
6.38
6.56
Client
Toro
Floor area
300 ㎡
Completion
2020

Toro Pau Casals Salon project was born as a makeover of the hairdressing brand, taking advantage of an exceptional location: in the heart of uptown Barcelona.

 The project requirements were clear; that functionality coexists with aesthetics obtaining a perfect symbiosis. Thus, in the search to honestly show the work of the stylists, to show the final result as it is,the intention has been to generate richness through the combination of vernacular materials that subtly generate the different spaces. 

The layout of the Hall highlights the great breadth of the arrangement of the workstations, the prominence of the terrazzo reception, the glazed artisanal ceramic latticework and the natural vegetation, sustained thanks to the creation of a large skylight. Likewise, the treatment of the envelope, instead of taking one of the two traditional solutions - visible or hidden installations - has perceptively opted for a third way: the generation of curved false ceilings that allow to hide those elements that are no longer necessary to be shown but at the same time highlighting the traditional metallic structure. 

All this with a stucco finish that, beyond a mere aesthetic choice, confers an overall acoustic and thermal improvement. Last but not least, it is worth noting the importance given to lighting. Despite having abundant natural light, the demand for faithful color reproduction implied an arduous job of filtering so that faithful visual perception was not incompatible with a generally warm and comfortable environment.