The Moving Beauty In February 2019, when Taiwan Railways Administration’s (TRA) revealed its tourist train design, the nation was in disbelief how our transportation identity could be done with such bad taste. Instead of jumping into the clouds of fierce criticisms, a self-recommend letter with two-week design schedule, opens up an opportunity for a boyish dream to come true. With 132 years of history, the TRA is a collective childhood memory shared by most Taiwanese people. A train journey is like a slow-paced movie. The paddy fields could be golden or green, during different times of the year. Cascading mountain views can be blurry at times, or coming with a hue of blue in grey. The sights outside the window construct our memory of train journeys, creating the “moving beauty.” Refurbishing from trains that are used over 70 years old and infusing with Taiwan’s culture and spirits, we hope to represent Taiwan’s natural, authentic, pristine, humanitarian, and shared memory, to reconstruct the thirteen railcars. Through capturing Taiwan’s local colors and materials, such as orange-red on high mountains in the fall and the pattern of the wet granite from Hualien, we present the design concept of “autumn breeze.” The dyeing and weaving handicraft of the indigenous tribes by the Atayal artist Yuma Taru, help us to further reveal stories beyond the scenic mountains. The exterior maintains the traditional color of orange, as seen in the Chu-Kuang Express, as remembered in our childhood memory. The shade of black covers the exterior generously, waiting to invite passengers to a luxurious visual enjoyment. The late Taiwanese aerial photographer and director Po-Lin Chi taught us how to appreciate Taiwan’s spectacular beauty from the sky; Taiwan Railways Administration shows us how to remember Taiwan’s seasons through riding with the landscapes.