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Office N

Flooat

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Sponsor
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Small Office
7.03
7.57
7.40
6.38
7.1
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
7.5
7.75
7.75
6.5
7.38
Dennis Vlietinck
Dennis Vlietinck Head of Design at Wink
7.5
8
7.5
6.5
7.38
Giovanni Zaccariello
Giovanni Zaccariello SVP Global Visual Experience  at Coach
8
7
9
8
8
Gilbert Khalil
Gilbert Khalil Director of Design and Technical Services at Sunset Hospitality Group
6
8
6
5
6.25
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
6.5
8
7
7
7.13
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
8
8
7
7.5
7.63
Asif Din
Asif Din Sustainability Director at Perkins&Will
6
7
6
5
6
Jocelyne Sacre
Jocelyne Sacre Design Strategist at Consultant
7
7.5
8
5.5
7
Sontaya Bluangtook
Sontaya Bluangtook Associate Design Director at UNStudio
7
7
7.5
6.5
7
Deepak Jawahar
Deepak Jawahar Cofounder at The Architecture Story
7.5
8
8
7.5
7.75
Cathy Figueiredo
Cathy Figueiredo Cofounder at Wanna
6
8
8
5
6.75
Lisa Adams
Lisa Adams Director of CitizenHKS & Sustainable Design Leader at HKS
6
7
6
5
6
Klein Dai
Klein Dai CEO at Algebraist Brand Management
7
7
7
6
6.75
Baoyu Tian
Baoyu Tian General Manager at Foshan Shengtianjia Lighting Equipment
6.5
7.5
7
6
6.75
Liqun Lin
Liqun Lin Executive Director at Xiamen Wenqu Decoration Design
7.5
8
8
7
7.63
Bangsheng Yang
Bangsheng Yang Founder at Yang & Associates Group
7.5
7
8
6.5
7.25
Dirk Osinga
Dirk Osinga Founder at STUDIOSINGA
8
8
8
8
8
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Colour
7.37
7.22
7.69
6.53
7.2
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
7.5
7
8
7.5
7.5
Dennis Vlietinck
Dennis Vlietinck Head of Design at Wink
7
7.5
7
6.5
7
Giovanni Zaccariello
Giovanni Zaccariello SVP Global Visual Experience  at Coach
8
8
9
8
8.25
Gilbert Khalil
Gilbert Khalil Director of Design and Technical Services at Sunset Hospitality Group
8
7
8
6
7.25
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
7
8
6.5
6.5
7
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
8
7
8
6
7.25
Asif Din
Asif Din Sustainability Director at Perkins&Will
8
7
8
6
7.25
Jocelyne Sacre
Jocelyne Sacre Design Strategist at Consultant
7
8
8
6.5
7.38
Sontaya Bluangtook
Sontaya Bluangtook Associate Design Director at UNStudio
7
6
7
7
6.75
Deepak Jawahar
Deepak Jawahar Cofounder at The Architecture Story
7.5
7
8
7
7.38
Cathy Figueiredo
Cathy Figueiredo Cofounder at Wanna
7
8
8
5
7
Lisa Adams
Lisa Adams Director of CitizenHKS & Sustainable Design Leader at HKS
5.25
7.25
6.75
5
6.06
Klein Dai
Klein Dai CEO at Algebraist Brand Management
8
6
8
6
7
Baoyu Tian
Baoyu Tian General Manager at Foshan Shengtianjia Lighting Equipment
7
7
7.5
6.5
7
Liqun Lin
Liqun Lin Executive Director at Xiamen Wenqu Decoration Design
7.5
7
7.5
7
7.25
Bangsheng Yang
Bangsheng Yang Founder at Yang & Associates Group
7.5
7
7.5
6.5
7.13
Dirk Osinga
Dirk Osinga Founder at STUDIOSINGA
8
8
8
8
8
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Small Office of the Year
7.03
7.67
7.77
6.66
7.28
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
Strong use of color, warm atmospher...
7.03
7.57
7.4
7
7.25
Lene Utbjoe
Lene Utbjoe Discipline Lead at Henning Larsen
7.03
7.57
7.74
6.38
7.18
Lindsay Roth
Lindsay Roth Design Director at Gensler
7.03
7.57
8.33
6.38
7.33
Raquel Machado
Raquel Machado Senior Design Associate at M Moser Associates
7.03
7.57
7.4
6.38
7.1
Thomas Danet
Thomas Danet Design Director at Jones Lang LaSalle
Less is more...
7.03
8.05
7.96
7.16
7.55
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Best Use of Colour
7.37
7.28
7.71
6.53
7.22
Justine Fox
Justine Fox Founder and Colour Specialist at Studio Justine Fox
I love the connected intention of t...
7.37
7.22
7.69
6.53
7.2
Anthony Monica
Anthony Monica Architect and Asst. Professor of Architecture at Belmont University
7.37
7.22
7.69
6.53
7.2
Rosha Ehsan
Rosha Ehsan Head of Design at Gastronomica Middle East
7.37
7.22
7.69
6.53
7.2
Chantal Vos
Chantal Vos Associate Partner at Kraaijvanger Architects
Ensuring continuity from outside to...
7.37
7.22
7.69
6.53
7.2
Agata Kurzela
Agata Kurzela Founder and Design Director at Agata Kurzela Studio
7.37
7.5
7.8
6.53
7.3
Designer
Client
N Certain Company
Floor area
350 ㎡
Completion
2022
Social Media
Instagram
Furniture
Furniture
Lighting

This interior design project is for revamped offices in a historical building dating to 1958. FLOOAT takes its main concept from the surrounding urban landscape of Otemachi in central Tokyo.

Otemachi is one of Japan’s leading financial centres, yet it still retains aspects of its late 19th-century atmosphere, with brick buildings such as Tokyo Station and Mitsubishi Ichigokan Museum.

The current project uses a pale terracotta as the predominant colour, blending with old brick structures outside, and giving visitors a sense of continuity. This tonality also provides the client, an investment consultancy, peaceful and relaxing spaces in which to concentrate on their business.

FLOOAT had to contend with the significant limitation of an existing ceiling height of just 2600mm. They used office furniture of a uniform height, emphasising the horizontal continuity of the space. The effect is to reduce the oppressiveness of the ceiling, improve the vista, and encourage smooth communications throughout the office.

Booths are provided for consultants to concentrate during online meetings with domestic and international clients. Administrative departments, such as general affairs and accounting, have a large open table shared by staff, in order to encourage frank talk. Variation was given to the overall space dependant on the nature of work undertaken in it. An inner zone has another shared table with a hollow centre from which plants emerge. Greenery can be enjoyed from all sides, and creates an informal seating area for casual contact, or breaks during work.

An entrance area is provided to welcome guests. Lighting levels are low, to generate an atmospheric impression. The walls are treated with aggregate paint of a pleasant texture that stands out in the reflected light. The entranceway is wide and the ceiling height is differentiated from the other areas, admitting natural light and giving an open feeling.

Four meeting rooms are available of different sizes, each defined by a signature design and lighting scheme. A large room accommodating up to 20 people is decorated in bright colours, washed by soft and even lights, which encourage active communication during face-to-face encounter. A small meeting room for just four people is the reverse, with its lighting adjusted to concentrate on the centre. Chairs in the whole office area are black, in five different types, each suitable for a different type of use. An overall spatial integrity is maintained, but users are also able to enjoy subtle differences that accord with the nature of the work they undertake.