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Nio Flagship House

Fangang Studio

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Water bar area on the second floor - FANGFANG STUDIO
Reception area on the second floor - FANGFANG STUDIO
Reception area on the second floor - FANGFANG STUDIO
Water bar area on the second floor - FANGFANG STUDIO

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Light
6.10
6.89
6.79
5.28
6.26
Melissa Amarelo
Melissa Amarelo Cofounder and Creative Director at Toi Toi Toi Creative Studio
5
7
6
5
5.75
Bernhard Kurz
Bernhard Kurz Founder at IFUB*
6
7
7
5
6.25
Michela Falcone
Michela Falcone Architect / Educator at Experimental Architecture / BNU University
5
7
6.5
5
5.88
Qi Wei
Qi Wei Member, Urban Renewal Professional Committee, Vanke Shanghai Area at Vanke Group
6
7
7
4
6
Monica Daley
Monica Daley Creative Lead Future Projects at Drift
6
7
7
5
6.25
Astin le Clercq
Astin le Clercq Cofounder and Design Director at Modem
7
7
7
5
6.5
Mao Hua
Mao Hua Founder at EK Design
5.28
5.77
5.91
5
5.49
Simal Yesiltepe
Simal Yesiltepe Founder and Creative Director at Simal Yes Studio
6
7
6
5
6
Massimiliano Tosetto
Massimiliano Tosetto Managing Director at Lodes
7.2
6.9
8
5.5
6.9
Thijn de Ruijter
Thijn de Ruijter Founder and Executive Partner at Karin Lauwers Agencies
Very nicely worked with light. no s...
7
7.5
8
7.5
7.5
Amber Feijen
Amber Feijen Spatial and Concept Designer at 5AM
6
6.5
7
5
6.13
Karen El Asmar
Karen El Asmar Architect & Interaction Designer at Tech
6
7
8
6
6.75
Lisa Torreggiani
Lisa Torreggiani Partner at Monkeydu
5
7
6
5
5.75
Britt Berden
Britt Berden Senior Creative Strategist at FranklinTill
7
7
6.5
5
6.38
Simon Hatter
Simon Hatter Founder at Hatter Agency
6
7
7
6
6.5
Claudia Mazzucato
Claudia Mazzucato Associate Designer and Architect at THDP
6.24
6.31
7.24
5
6.2
Bob Chen
Bob Chen Founder at Bob Chen Design Office
7
7
5
6
6.25
Sophie van Winden
Sophie van Winden Director at Owl Design
6
7
7
5
6.25
Client
Lukstudio
Floor area
500 ㎡
Completion
2021
Lighting

NIO house is located in Nanchang City, Jiangxi Province, China. It is the first new standard "NIO house" of NIO automobile brand. The first floor is used as the automobile exhibition hall, with two entrances from north to south, and the second floor is the reception hall, mother and baby room and other functional spaces.

In this project, we try to explore the shaping of space emotion by different materials and light. The first floor focuses on creating a floating sense of modernity and a sense of NIO technology. The second floor uses the material to divide the space into reception area and water bar area. The light in the reception area has two functions of negotiation and meeting. The dome shape of the water bar area pays tribute to Louis Kang's kimbel Art Museum. We use linear wall washing lighting to emphasize the atmosphere shrouded by the dome. From the first floor to the second floor, from light terrazzo to wood grain, from floating to feeling warm and stable, from display space to experience reception hall, it can apply a variety of different methods in one space, and finally pay attention to humanized experience and details. It is a very interesting and profitable project to build a future advanced community with customers.

The first floor of this case sets off the weightlessness of the space in the way of low contrast, and is designed in combination with the overall streamline modeling of interior design.

The wall of the exhibition area on the first floor adopts wall washing lighting to improve the brightness and reduce the brightness gap between the wall and the ground. The light-emitting soft film is used in the hub modeling area recessed in the wall.

The space on the second floor is divided into two different spaces: white and wood grain. In order to emphasize the shape of the dome in the white area, we adopt the lighting method of local diffuse reflection, in order to draw people's attention to the back and top of the space.

The diffuse reflection of the top surface of the water bar area on the second floor is realized by the hidden lamp belt on the dome, so that more light can be scattered on the arc top surface. Track lights are reserved in the middle to illuminate the working face and booth. Make people in low contrast space avoid fatigue and express the level and depth of space.

Two scenes with different materials are set in the second floor area, which has two scene switching: the regular form of sofa that can talk in a small range and the form of meeting report.

In order to protect the baby's delicate eyes, the mother and baby room uses indirect lighting to hide the lamp belt behind the equipment, and the whole space is soft and comfortable.

The elevator room is hidden in the corner of the exhibition hall. In order to attract customers from here to the second floor, we have adopted a variety of methods to enrich the level of the space. The top surface is directly illuminated with the logo, the hidden light belt on the steps guides people upward, the light belt is hidden at the handrail, and the luminous soft film is used at the elevator door to unify the formal sense of the space in detail.