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House in Jindaiji

Case-Real

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The area from the entrance to the earth floor connects both the inside and the outside of the house, blurring the boundaries in a variety of situations. - Daisuke Shima
Generous openings that create a connections with the outdoors. - Daisuke Shima
Japanese tropical plants were planted in the exterior gutters to further strengthen the contrast with the surrounding greenery. - Daisuke Shima
The area from the entrance to the earth floor connects both the inside and the outside of the house, blurring the boundaries in a variety of situations. - Daisuke Shima

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
House
5.90
6.30
6.05
5.81
6.01
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
The dual function of private and pu...
7.5
7.5
7.5
7
7.38
Dennis Vlietinck
Dennis Vlietinck Head of Design at Wink
6
6
6
6.5
6.13
Deepak Jawahar
Deepak Jawahar Cofounder at The Architecture Story
6.5
7
6.5
5.8
6.45
Giovanni Zaccariello
Giovanni Zaccariello SVP Global Visual Experience  at Coach
7
6
7
6
6.5
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
4.5
4
4.5
5
4.5
Gilbert Khalil
Gilbert Khalil Director of Design and Technical Services at Sunset Hospitality Group
4
5
4
5
4.5
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
5
7
6
5
5.75
Asif Din
Asif Din Sustainability Director at Perkins&Will
6
7
6
4.5
5.88
Cathy Figueiredo
Cathy Figueiredo Cofounder at Wanna
5
5
5
5
5
Lisa Adams
Lisa Adams Director of CitizenHKS & Sustainable Design Leader at HKS
6.75
7
6.5
5
6.31
Liqun Lin
Liqun Lin Executive Director at Xiamen Wenqu Decoration Design
6
6.8
7
5
6.2
Sontaya Bluangtook
Sontaya Bluangtook Associate Design Director at UNStudio
5.5
5
5.75
6
5.56
Lucy Bagshaw
Lucy Bagshaw Project Director at Tp Bennett
6
6.5
6
6
6.13
Jocelyne Sacre
Jocelyne Sacre Design Strategist at Consultant
5.5
6.5
5.5
6
5.88
Klein Dai
Klein Dai CEO at Algebraist Brand Management
5
5
5
5
5
Baoyu Tian
Baoyu Tian General Manager at Foshan Shengtianjia Lighting Equipment
5.5
5.5
5
5
5.25
Aaron Ye
Aaron Ye Founder and CEO at Atom Group
5
6
6
7
6
Bangsheng Yang
Bangsheng Yang Founder at Yang & Associates Group
5.26
6.62
5.74
5.39
5.75
Woody Yao
Woody Yao Director at Zaha Hadid Design
6
6.5
6
6
6.13
Dirk Osinga
Dirk Osinga Founder at STUDIOSINGA
10
10
10
10
10
Designer
Client
Method Inc. Yu Yamada
Floor area
82 ㎡
Completion
2022
Social Media
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A red house with “bengara” finish topped with a silver vaulted roof in a tranquil neighborhood in Tokyo. The innovative points of this project were to create a residence inspired by “red soil” and “reddish brown,” which contrasted with the tree planted in a greenbelt next to the site. Furthermore, the client wanted to use the house not only as a place to live, but also as a gallery-like space that is open to the community. The house is a new hub for the client, who is a merchandise buyer and a director for design in art, and was designed to be used for various public and private activities.

The red color used for the most distinctive exterior wall is a Japanese traditional and sustainable pigment called “bengara” which is a highly weather-resistant and able to removed from the soil and returned to the soil. We intended to use a contrasting color to strengthen the significance of the architecture in this location. The reddish-brown exterior walls were then combined with a silver roof and eaves made of galvalume steel sheet. Japanese tropical plants were planted in the exterior gutters to further strengthen the contrast with the surrounding greenery. With the greenery at its side, the approach integrates with the terrace and leads continuously to a large earth floor with an atrium. The area from the entrance to the earth floor is finished with a reddish stone mixed with washed out stone. This floor connects both the inside and the outside of the house, blurring the boundaries in a variety of situations.

The ground floor, for example, normally functions as a living and dining room, but becomes a semi-public exhibition space during events. The dining counter, which is set higher than usual, flexibly changes its role from being a display stand for exhibitions to a serving counter for standing meals in conjunction with the kitchen. In addition, furniture such as counters and sofas were placed at the boundary between the earthen floor and the wooden flooring, so that people can use them without taking off their shoes. The house is further characterized the creativity by the fact that it was designed to support a wide variety of situations.

The ceiling of the earthen floor, which is a vaulted ceiling, is the place where the broad arc expression of the ”mukuri roof” is most apparent. The residents’ private bedrooms on the second floor are again connected to this atrium, allowing their vision and also the ventilation to circulate throughout the house. While the chairs on the first floor were designed to match the counter, a low table was originally created for the second floor, where a sense of calm was demanded. This contrasts with the first floor by emphasizing the nature of floor seating.

By seeking the functionality and planning the surrounding environment, architecture, interior, and furniture in conjunction with the client’s thoughts, we attempted to firmly define the house’s creativity and innovation.