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Haydon Flagship Store

Domani Architectural Concepts

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Bronze
02 entrance - MinJie Wang
09 ground floor - MinJie Wang
01 facade - MinJie Wang
02 entrance - MinJie Wang

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Colour
6.26
6.39
7.21
4.22
6.02
Michela Falcone
Michela Falcone Architect / Educator at Experimental Architecture / BNU University
5
6
8
4
5.75
Qi Wei
Qi Wei Member, Urban Renewal Professional Committee, Vanke Shanghai Area at Vanke Group
6
6
5
4
5.25
Massimiliano Tosetto
Massimiliano Tosetto Managing Director at Lodes
6
5
8
4
5.75
Amber Feijen
Amber Feijen Spatial and Concept Designer at 5AM
6.5
5.5
7.5
4
5.88
Astin le Clercq
Astin le Clercq Cofounder and Design Director at Modem
6
7
8
4
6.25
Bernhard Kurz
Bernhard Kurz Founder at IFUB*
7
7
8
3
6.25
Melissa Amarelo
Melissa Amarelo Cofounder and Creative Director at Toi Toi Toi Creative Studio
7
7
7
4
6.25
Britt Berden
Britt Berden Senior Creative Strategist at FranklinTill
6
7
7.5
5
6.38
Karen El Asmar
Karen El Asmar Architect & Interaction Designer at Tech
7
6.5
7.5
4
6.25
Simal Yesiltepe
Simal Yesiltepe Founder and Creative Director at Simal Yes Studio
6
6
8
4
6
Bob Chen
Bob Chen Founder at Bob Chen Design Office
6.92
7.1
7.28
6.83
7.03
Sophie van Winden
Sophie van Winden Director at Owl Design
6
7
7
4
6
Lisa Torreggiani
Lisa Torreggiani Partner at Monkeydu
6
6
5
4
5.25

Bottom of the Pond - HAYDON flag Store

The project probed the spatial experience in commercial space of its involvement and reinterpretation of literature from another period, and the interaction between them. Meanwhile, it promoted the study, design, and manufacturing practice of a new material. 

The design concept sourced from pure literature, and echoed a wide creative perspective ranged from Wang Xiaobo's The Green-Haired Sea Monster (1977) to the trendy acid visual style in 2020s. The project is named after a famous quote from the novel, that is "It's like we're at the bottom of a pond. Walking from one moon to another." 

The veiled façade was design to create an attraction of ambiguity in the Eastern culture and aesthetic, to verify the contrary to the surrounding commercial ambience in the neighborhood, which gave it a unique appearance. As for the entrance, the door array provided a special interaction between the interior and the street, letting visitors rushing in and being a transparent partition to the environment at the same time. 

As for the interior, the key was to effectively lead the customers to a more massive area on the second floor by creating an enormous staircase as the main construction in the space. Meanwhile, the display installation and material development help to present an intriguing personified commercial display solution. For example, the "Twist Showcase" raises a question about the stereotypical definition of displaying shelves as "objects". Featuring personified postures and human behavior patterns, either solo or in group, the iconic showcases are spread out in the space to create intriguing scenes where dialogues are conducted, so as to go beyond ordinary. 

The space design helped the client to achieve a sustainable brand impact with an expressive image, so as exploring its possibilities. At the same time, the innovation of the main material also become a sustainable influence on the industry, and extend the boundary of interior material application.