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Grand Koper

AKSL arhitekti

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Hotel
4.85
5.27
5.06
5.07
5.06
Martin Mostböck
Martin Mostböck Founder and creative director at AID at Martin Mostböck. AID - ArchitectureInteriorsDesign
Great architecture combined with gr...
8
8
8
9
8.25
UNO CHAN
UNO CHAN Chief designer at TOMO DESIGN
8
8
7
9
8
Tola Ojuolape
Tola Ojuolape Senior Project Designer at Selina
Evidently the design has been thoro...
8
8
7
9
8
Bill Bouchey
Bill Bouchey Principal - Director of Design Interiors at HOK
Rigor and refinement here without s...
8
8
9
8
8.25
Timothy Moore
Timothy Moore director at Sibling Architecture
A stunning house that does not domi...
6
8
6
8
7
Christina Wissing Oppermann
Christina Wissing Oppermann Commercial Director at Brandt Collective
8
8
9
8
8.25
Aezad Muzaffar Alam
Aezad Muzaffar Alam Co-Founder and Design Director at REFORM Studio
There are beautiful moments littere...
8
8
9
8
8.25
paul makovsky
paul makovsky Editor, brand stategist and content producer at -
love the indoor outdoor transitions...
8
8
8
9
8.25
Kate Shepherd
Kate Shepherd Cofounder & Strategic Director at The Future Collective
8
7
8
8
7.75
Joe Cheng
Joe Cheng Chairman at CCD Cheng Chung Design
fine detailing, just right amount o...
8
7
7
7
7.25
Penny Craswell
Penny Craswell Writer at The Design Writer
8
8
8
8
8
Zhang Jiliang
Zhang Jiliang Vice President at Greentown China Holdings
8
8
9
9
8.5
Tiffany Yao
Tiffany Yao Regional Workplace Manager at Newmark
8
7
7
8
7.5
Client
Jaz in Božo d.o.o.
Floor area
2800 ㎡
Completion
2021
architects and interior designers

We undertook the renovation with all available knowledge about the building and its history. Before designing the renovation, we worked closely with doc.dr. Neža Lipovec Čebron, who prepared the "Study on the development and importance of Hotel Koper". We sought to retain the building and its original idea, and to reawaken the significance of the building and its role in social and cultural terms. Our wish for this hotel is to become a place for socialising and meeting for everyone, not only international guests, but also residents of the wider Slovenian coastal area. In this we see the transfer of the historical idea and the role of the building forward.

 Our goal was to open the main street promenade and offer its ground floor to local and other visitors, and to establish a "living room" in this part of Koper. We purposely placed the hotel reception at the very end of the lobby, still visible enough and in the focus of the entrance. The entrance glass façade can be fully opened and connected to the hotel’s arcaded lobby. In terms of design, we were related to the Mediterranean style and its typical materials and patterns, which are expressed in a modern way.

 The main design motif, whose inspiration comes from the main façade, are arches that are repeated throughout the interior of the entire hotel. The hotel has become a place for socialising, meeting and also extended stay. That is why today all hotels strive to offer the guest a first-class experience in the hotel, and try to make their offer interesting to local users as well. The intertwining of both, foreign guests and local visitors, can always be a hit. When hotel gurus talk about hotels and hotel rooms of the future, they often use words like “Self care”, “Well being”, “Contemplation” and “Providing workspace”. This has definitely affected the interior design and approach to the use of materials and furniture. 

When choosing the materials, we kept the spirit of the interior of the architect Edo Mihevc and prof. Olga Rusanova, who at that time was rich and with various textures and decorations, as well as the typical space of Istria and the wider Mediterranean style. Due to previous renovations of the hotel, most of the elements of the original interior were unfortunately no longer possible to decipher or preserve. His spirit is reflected in the space in modern language and materials, such as ceramic tiles with the appearance of a palladium terrazzo, terracotta tiles laid in herringbone, mirrored ceiling of the lobby entrance and mezzanine club, which attracts reflections of the nearby sea, printed curtains of the pizzeria and rooms (tapestries, carpets, CI design by David Tavčar) and golden metallic accents of the main arches of the lobby.