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Connections

Smart and Green Design

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BLUE & PINK & RED & GREEN & TURQUOISE - Javier de Paz García
PINK & BLUE CHILLIDA - Javier de Paz García
BLUE & PINK & SKY & YELLOW - Javier de Paz García
BLUE & PINK & RED & GREEN & TURQUOISE - Javier de Paz García

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Colour
6.39
6.66
7.13
5.31
6.37
Qi Wei
Qi Wei Member, Urban Renewal Professional Committee, Vanke Shanghai Area at Vanke Group
6
7
7
4
6
Michela Falcone
Michela Falcone Architect / Educator at Experimental Architecture / BNU University
6
6
7
5
6
Melissa Amarelo
Melissa Amarelo Cofounder and Creative Director at Toi Toi Toi Creative Studio
6
7
7
6
6.5
Monica Daley
Monica Daley Creative Lead Future Projects at Drift
7
7
8
5
6.75
Astin le Clercq
Astin le Clercq Cofounder and Design Director at Modem
6
4
7
5
5.5
Mao Hua
Mao Hua Founder at EK Design
5.8
6.5
5.8
5
5.78
Massimiliano Tosetto
Massimiliano Tosetto Managing Director at Lodes
7
8
8
5
7
Amber Feijen
Amber Feijen Spatial and Concept Designer at 5AM
6
5
7
4.5
5.63
Bernhard Kurz
Bernhard Kurz Founder at IFUB*
7
7
8
4
6.5
Thijn de Ruijter
Thijn de Ruijter Founder and Executive Partner at Karin Lauwers Agencies
7
7
8
7
7.25
Karen El Asmar
Karen El Asmar Architect & Interaction Designer at Tech
7
7
7
6
6.75
Britt Berden
Britt Berden Senior Creative Strategist at FranklinTill
6
7
6
5
6
Simal Yesiltepe
Simal Yesiltepe Founder and Creative Director at Simal Yes Studio
6
7
7
4
6
Claudia Mazzucato
Claudia Mazzucato Associate Designer and Architect at THDP
6.45
6.67
7.1
6.31
6.63
Bob Chen
Bob Chen Founder at Bob Chen Design Office
7.46
7.1
8.26
8.44
7.82
Lisa Torreggiani
Lisa Torreggiani Partner at Monkeydu
7
7
7
5
6.5
Sophie van Winden
Sophie van Winden Director at Owl Design
5
7
6
5
5.75
Client
Fundacion Telefonica
Floor area
850 ㎡
Completion
2022
Budget
EUR 100,000
Social Media
Instagram Linkedin
MDF
Finishes

INNOVATION
Connecting entails activating the associations machine; the triggering of spontaneous or deliberate encounters between objects, ideas and abstractions. Fundación Telefónica has a major collection made up of works of art and documentary and technological resources. The exhibition presents these three areas together and, therefore, establishes dialogues and links ideas to enable the collection to be viewed from new perspectives. 

The exhibition immerses us in a network of relationships that allow us to take in the pieces on display in the manner of a hypertext rather than by using traditional historiographic resources; such codes are also integrated into the spatial design, which deconstructs traditional compartmentalisation and its use of bulky walls, favouring instead independent cells with extremely thin, almost virtual separations. In terms of both content and architecture, the system makes it possible to establish fluid thematic relationships that move beyond mere chronology. 

CREATIVITY
The exhibition design reflects the central concept of the project, “connections”, through a system of contiguous and interrelated spaces with a similar geometry and openings. The goal is to ensure visual links between all the spaces and, consequently, between the pieces on display, by embedding the curation concept in the architecture. The repetitive system of spaces and connections on various sides undermines learned orientation mechanisms as there is no evident direction, and takes the visitor back to a more primitive means of finding connections between spaces and pieces based on their instinct and curiosity. 

The other element determining the spatial design is colour. It is employed as if it were another construction material, with a physicality that generates specific spaces and emotions. Recent research has sought to produce the scientific evidence behind such associations between tonalities, feelings and behaviour. Based on Goethe's theories and recent neuroscience research that attests to the link between certain colours and moods, an appropriate colour palette was used in each area to generate an adequate atmosphere that might best transmit the ideas evoked by the exhibition. 

FUNCTIONALITY
The format of superimposed and interconnected layers on all sides of the space aims to make us reflect on alternatives to the neutral and open-plan container associated with contemporary art; an imperative of the modern movement in which the human-centric point of view had a really different approach to what we are experimenting nowadays. 

SUSTAINABILITY
The project forms part of a medium to long-term working method agreed upon with the entity hosting the exhibition, according to which our team is committed to reusing all the MDF used to build the vertical walls providing this experience in the design of the next exhibition that will take place in the same space.