This is a renovation project of the lower floor commercial area of the 33-year-old Matsushita IMP Building, an office building. The building was planned during Japan's booming economy that began in the late 1980s, so was characterized by expensive materials and glittering interiors. However, it was sparsely populated, and the luxurious space felt out of place, as if it were an isolated island left behind. We focused on making the space more valuable for the future and creating a space that would harmonize with and revitalize the present and the future, while utilizing the design of such a space. In the future, large-scale renovations of large buildings in Japan as well as China will be less common, and we believe that there will be more demand for partial yet effective renewal, utilizing the past while harmonizing and revitalizing the present and future eras.
As the Corona Disaster created an environment where many companies could work outside their offices, we sought to create a commercial office building that would fit a new style of work by creating a place to work in the common area of the commercial area. By making it a place that anyone can freely use, we created a place that can be used mainly as a working place for office workers inside and outside the building on weekdays, and as a rest space for tourists on holidays. By doing so, we were able to transform the building into a space where people can gather and live in the present and envision the future, rather than a space that has been left behind.|
<Design motif>
Since the building still has a previously planned station underground, we used the station as a design motif in the hope that the building would become a hub for people to gather, as was once planned.
The round pillars extending across multiple floors throughout the facility are given a bold mortar-tone finish and metal framing to create the base for a colonnade-like space similar to what is found in a railway station. Against this backdrop, the colors of Osaka Castle, which is located nearby, were incorporated into the furniture, fixtures, and equipment to create an affinity with the origins of the land which dates back more than 400 years.
<Resource Reuse>
We preserved the old building’s fixtures to the extent possible and promoted their effective utilization. The distinctively patterned stone floors were left as is, while over 95% of the walls, ceilings, and columns were reformed into wood grain and mortar designs by skilled craftspersons who applied special coatings over existing finishings. Most of the lighting, with the exception of some added lighting, was simply replaced with LED bulbs due to its aged state.
Matsushita IMP Building
no. 10, Nomura Co., Ltd.
Bronze

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Laura Guido-Clark
Founder
at Love Good Color
The resource reuse was very meaning...
7.92
7.89
7.89
8.28
8

Nataša Stanaćev
Founding Partner
at Stanaćev Granados
A well rounded intervention that fe...
7.5
8
7.5
8
7.75

Matthew Senkowycz
Cofounder
at Loom Atelier
Fantastic and super real project ty...
6
7
7.5
5
6.38

Maria Felicitas Navia
Founder
at OHIO Estudio
A very interesting project on how t...
6.77
7.38
7.1
6.31
6.89

Matyas Simonyi
Creative Director
at Tom Postma Design
6.09
6.92
6.09
7.95
6.76

Hui Xie
Design Director
at ACE Design
6
6.5
5
6
5.88

Shaikha Al-Sulaiti
Founder
at Shaikha Al Sulaiti
6.77
6.77
7.5
7.5
7.14

Xinglin Lee
Founder and Creative Director
at c.dd
6
6
5.5
6
5.88

Amalia Ramírez
Founder and Design Director
at ar_ea
8
6
6
8
7

Simon Hamilton
Founder
at Simon Hamilton Creative
6.2
7.75
6.04
6.28
6.57

Angela Lindahl
Cofounder
at Yatofo Creatives
6.02
8.21
6.08
7.27
6.9

Alda Ly
Founder and Principal
at ALA Studio
5.25
7.02
7.46
7.61
6.84

Lyanne Oosterhof
Senior Interior Architect
at Mecanoo
5
6
6
8
6.25

Roman Vrtiška
Cofounder
at Vrtiška & Žák
5
6
6
4.5
5.38

Shuhei Aoyama
Founder and Director
at B.L.U.E. Architecture Studio
6.5
7
6.5
7
6.75
Designer
Client
GC Core plus1 TMK
Floor area
4500 ㎡
Completion
2022
Project Team