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Alexander McQueen: Mind Mythos Muse

National Gallery of Victoria

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Alexander McQueen: Mind Mythos Muse - Sean Fennessy
Alexander McQueen: Mind Mythos Muse - Sean Fennessy
Alexander McQueen: Mind Mythos Muse - Tom Ross
Alexander McQueen: Mind Mythos Muse - Sean Fennessy

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
5.75
6.07
5.80
5.48
5.78
Jason Chan
Jason Chan Founder at Jason Design Group
7.95
7.33
5.78
7.02
7.02
Sanchit Arora
Sanchit Arora Principal Architect at Renesa Studio
5
5.5
5
5
5.13
Jorge Mendez Caceres
Jorge Mendez Caceres Creative Director at BDG Architecture & Design
7
6.69
5
4
5.67
Adi Utama
Adi Utama Global Office Development at JetBrains
5
6
5
7
5.75
Jan Clostermann
Jan Clostermann Founder and Director at CLOU Architects
6
6.5
6.5
5
6
Maja Bernvill
Maja Bernvill Creative Director at Specific Generic
4
6
5
6
5.25
Justine Fox
Justine Fox Founder and Colour Specialist at Studio Justine Fox
6
7
8
5
6.5
Bin Ju
Bin Ju Founder and Chief Design Director at Horizontal Design
5.78
5.86
6.18
5.78
5.9
Marie Hesseldahl
Marie Hesseldahl Partner and Head of Interior and Product Design at 3xn
6
6
6
6
6
Constance Guisset
Constance Guisset Founder at Constance Guisset Studio
7
7
7
7
7
Marie-Andree Busque
Marie-Andree Busque Director Interior Architecture at Sid Lee Architecture
5
5
6
3.5
4.88
Islam El Mashtooly
Islam El Mashtooly Creative Director at OBMI
5
5
5
5
5
Liyun Hao
Liyun Hao Founder and Design Director at EVD
5
5
5
5
5
Client
National Gallery of Victoria
Floor area
1550 ㎡
Completion
2022
Finishes
Finishes

Alexander McQueen: Mind Mythos Muse celebrates the conceptual and technical virtuosity of fashion designer Lee Alexander McQueen, offering insight into his creative processes and inspirations. Showcasing over 120 garments and accessories alongside over 80 artworks that help illuminate the interdisciplinary impulse that defined his career. Covering approx 1550sqm and constrained by existing gallery footprint, the design showcases and extrapolates, through various methodologies, McQueen’s work and references, using prompts to inform concept: spectacle, metamorphosis, evolution, technology, innovation, and history.

The exhibition is split into four primary themes, creating twelve spaces. Each area offers a unique design interpretation of McQueen’s collection references through build, display, multimedia, sound, and graphics. Design intent was to create a sense of theatre, a nod to McQueen’s spectacular runway shows. In Deliverance a large translucent surface floated atop a skeletal structure which was underset with LED screens, the content reflected onto a suspended angled mirror. Video and sound from the runway and corresponding filmic references create a mirrored view incorporating the mannequins and structure. The Widows of Culloden collection was presented on a raised platform with perimeter pathways leading to a central cube structure. Integrated multimedia, sound and lighting harnessed the spectacle of a peppers ghost illusion. Paired with a hand-painted cloud effect created a sensory evocation of moving through the Scottish Highlands, connecting to the collection and McQueen’s personal history.

The design utilised existing interior walls from the previous exhibition, reducing deconstruction and material wastage. In addition, the design employed reuse of existing cases, flooring, joinery, and materials. New design elements considered future reuse. In Technique and Innovation modular aluminium plinths were designed with future projects in mind and a low-carbon recyclable material made from upcycled packaging used and installed to ensure future use. High-fi and low-fi design techniques were employed to create a unique experience, from the peppers ghost illusion, graphic wallpapers and flooring, video, sound effects, lighting and shadow play.

The design of this exhibition cohesively integrated interior design, multimedia, graphics, sound design, and lighting in an innovative way to create a spectacle of experience. Using themes, references, and details from McQueen’s collections and runways as a starting point the design pushed to further extrapolate and highlight the diverse references that informed his designs and collections. The design creates a seamless line of dialogue between McQueen and historical artwork from both NGV and LACMA collections. With the unique design of each of the spaces highlighting the research and conceptual impetus that informed his collections the exhibition design intends to expand upon McQueen’s works and themes.