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Kirkkonummi Library Fyyri

JKMM Architects

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At Fyyri, the interiors include bespoke lighting with brass fittings that create warmth and also a sense of dignity that is in keeping with this building typology. Brass is also used by JKMM in the library’s new entrances and hand railings in a way that is inviting and intuitively leads visitors through the public areas. Today brass is, of course, all the more appreciated as a material for its inherently anti-bacterial properties but when designing the building JKMM wanted a finish that would contrast with the concrete surfaces that dominate the architecture. - Pauliina Salonen
Fyyri is an adaptive reuse project built using the existing concrete structure of the original 1980s library. The 80s building is remodelled, doubling its volume, and introducing a large variety of accommodation for community uses. - Marc Goodwin
The main reading hall’s design is made up of rhythmic fairfaced concrete posts and beams. Indirect natural light filters through this column-like framework creating patterns that are similar to daylight rippling through a forest of trees. - Pauliina Salonen
At Fyyri, the interiors include bespoke lighting with brass fittings that create warmth and also a sense of dignity that is in keeping with this building typology. Brass is also used by JKMM in the library’s new entrances and hand railings in a way that is inviting and intuitively leads visitors through the public areas. Today brass is, of course, all the more appreciated as a material for its inherently anti-bacterial properties but when designing the building JKMM wanted a finish that would contrast with the concrete surfaces that dominate the architecture. - Pauliina Salonen

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Cultural Space
8.22
8.33
8.33
7.56
8.11
William Barrington-Binns
William Barrington-Binns Director of Photography at WBB & Co.
8
8
8
9
8.25
Corien Pompe
Corien Pompe Chairman and Founder at Donna e Mobile
8
8
8
8
8
Richard Parr
Richard Parr Founder at Richard Parr Associates
a supremely elegant and worthwhile...
8
9
7
8
8
Jasper Blüm
Jasper Blüm Senior Designer at Colliers
7
7
8
6
7
Joanna van der Linden
Joanna van der Linden Global Retail Identity & Design Manager at Nestlé Nespresso
It's a shrine for books! Beyond the...
10
10
10
7
9.25
Stefano Giussani
Stefano Giussani CEO at Lissoni New York
8
8
8
7
7.75
Bret Recor
Bret Recor Founder & Creative Director at Box Clever
Those are some lucky books!...
9
9
10
7
8.75
Johnny Chiu
Johnny Chiu Founder at J.C. Architecture
8
8
8
8
8
Li Baolong
Li Baolong Cofounder and Creative Director at BloomDesign
8
8
8
8
8
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Cultural Space of the Year
9.01
9.17
9.11
8.86
9.04
Daisuke Nagatomo
Daisuke Nagatomo Assistant Professor at National Taiwan Normal University
Perfect harmony of material, color...
9.4
9.26
9.26
9.12
9.26
Bill Bouchey
Bill Bouchey Principal - Director of Design Interiors at HOK
9.02
9.07
9.4
9.4
9.22
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
Wonderful project, with focused vie...
9.31
9.31
9.38
9.24
9.31
Julian Lwin
Julian Lwin Spatial Design Director at Lwindesign + StreetFarms USA
Beautiful interplay of textures and...
9.12
9.05
9.19
8.14
8.88
Martin Mostböck
Martin Mostböck Founder and creative director at AID at Martin Mostböck. AID - ArchitectureInteriorsDesign
8.22
9.14
8.33
8.39
8.52
Client
Municipality of Kirkkonummi
Floor area
4700 ㎡
Completion
2020

The new library building called Fyyri in Kirkkonummi, Finland, exemplifies how libraries can be vibrant multipurpose buildings without losing any of their core concept as distinct places suited to reading, research and learning for all age groups. Kirkkonummi is a small town near Helsinki built around its Medieval stone church. Facing the church, the old city library is transformed to create a new civic center, called Fyyri, with the copper shingle cladding. Fyyri is an adaptive reuse project built using the existing concrete structure of the original 1980s library. The 80s building is remodelled, doubling its volume, and introducing a large variety of accommodation for community uses. The design approaches this community function and non-commercial quality of Fyyri as integral to creating a civic foundation that is about solidarity and well-being for Kirkkonummi as it grows to accommodate more inhabitants including a new wave of Helsinki commuters. The fact that the interior design of Fyyri was considered an important part of the commission by the City of Kirkkonummi shows that the municipality understood that their residents will experience this remodelled library as a concrete expression of Finnish values. Kirkkonummi Library represents a new generation of Finnish libraries. They are no longer solely about books, but about sharing knowledge and experiences through multiple channels. This phenomenon has changed the library typology: making them into places for learning and meetings not unlike a community hall. The ommunity function, non-commercial quality of Fyyri is integral to creating a civic foundation that is about solidarity, well-being for the city. The reading rooms respect the Finnish Modernist tradition of libraries ennobling the idea of books and learning through their highly crafted design and carefully detailed interiors. The interiors include bespoke lighting with brass fittings creating warmth and also a sense of dignity that is in keeping with the building typology. Fyyri is inspired by its surrounding coastal landscape particularly in the tonality of its interiors. It is designed to be welcoming and also intimate in a way that enables everyone to find their rightful home in the building. By reusing the 80s structure, the interior also has the sort of unanticipated spaces that come with working with older structures. There are cozy spaces and hideaways too perfect for children’s stories. The interiors' play on local nature in the choice of subdued colours and of materials like wool and felt upholstering and the role of integrated art and fitted furniture are emphasised in continuing the architectonic qualities of the building. Slatted timber walls and ceilings also feature in a way that blurs the division between the hand of architect and that of the interior designer.