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Kiriko Tree

Hakuten

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The installation "KIRIKO TREE" adorned with a new Edo Kiriko pattern developed in collaboration with artisans. - Akira Arai
As part of the Christmas campaign at "Tokyu Plaza Ginza," an installation called "KIRIKO TREE" was created, taking Edo Kiriko glassware as its motif, in a corner of Sukiyabashi Intersection. - Akira Arai
By dynamically showcasing the interplay of light and shadow emanating from the Edo Kiriko pattern, we create a captivating display that expands the cut-glass pattern throughout the entire space, offering a scale and sense of expression that hasn't been seen before. - Akira Arai
The installation "KIRIKO TREE" adorned with a new Edo Kiriko pattern developed in collaboration with artisans. - Akira Arai

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
5.64
5.41
5.89
5.19
5.53
Gilbert Khalil
Gilbert Khalil Director of Design and Technical Services at Sunset Hospitality Group
5
5
6
5
5.25
Dennis Vlietinck
Dennis Vlietinck Head of Design at Wink
5.5
5
6
5
5.38
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
5.25
6
5.5
5
5.44
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
6
5
6.5
5
5.63
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
5
5.5
5
6
5.38
Giovanni Zaccariello
Giovanni Zaccariello SVP Global Visual Experience  at Coach
6
5
6
5
5.5
Asif Din
Asif Din Sustainability Director at Perkins&Will
6
5
6
4.5
5.38
Sontaya Bluangtook
Sontaya Bluangtook Associate Design Director at UNStudio
6
5
6
5
5.5
Jocelyne Sacre
Jocelyne Sacre Design Strategist at Consultant
5.5
6
6
5
5.63
Deepak Jawahar
Deepak Jawahar Cofounder at The Architecture Story
6
6
6
5
5.75
Cathy Figueiredo
Cathy Figueiredo Cofounder at Wanna
5
5.5
5
5
5.13
Lisa Adams
Lisa Adams Director of CitizenHKS & Sustainable Design Leader at HKS
6.5
6
6.75
6.5
6.44
Klein Dai
Klein Dai CEO at Algebraist Brand Management
6
6
6
6
6
Baoyu Tian
Baoyu Tian General Manager at Foshan Shengtianjia Lighting Equipment
5.5
5.5
5.5
5
5.38
Liqun Lin
Liqun Lin Executive Director at Xiamen Wenqu Decoration Design
5.5
5
6
5
5.38
Bangsheng Yang
Bangsheng Yang Founder at Yang & Associates Group
5.5
5
6
5
5.38
Designer
Client
Tokyu Plaza Ginza
Floor area
15 ㎡
Completion
2022
Budget
¥8,000,000
Social Media
Instagram

As part of the Christmas campaign at "Tokyu Plaza Ginza," an installation called "KIRIKO TREE" was created, taking Edo Kiriko glassware as its motif, in a corner of Sukiyabashi Intersection. The tree is adorned with a new Edo Kiriko pattern developed in collaboration with artisans.

Edo Kiriko is a traditional craft that represents Tokyo. In recent years, as the shortage of successors has become more serious, young artisans have been at the forefront, creating new patterns and techniques one after another. However, these innovations have had low awareness and limited platforms for dissemination. Tokyu Plaza Ginza was one of the places in Tokyo, where Edo Kiriko was born, to showcase the works of artisans, but due to the COVID-19 pandemic, the opportunities for such events had decreased. To regain the opportunity for dissemination and to convey the thoughts and challenges of the artisans, an opportunity was created for people passing through the streets associated with Edo Kiriko to have a chance to experience and engage with Edo Kiriko.

In order to make the new Edo Kiriko patterns feel familiar to people passing by, we incorporated the history and streetscape of Ginza as inspiration. As a method of expression, we decided to utilize light and shadow, taking a cue from the perspective that artisans value when designing patterns, which is to "carve light."

To blend the Western culture of Christmas trees with Japanese Edo Kiriko, we illuminated the installation with lights reminiscent of traditional Japanese "Andon" lanterns. By adding movement to the interplay of light and shadow, we created overlapping patterns and variations in shape, resulting in the emergence of new cut-glass patterns within the space. These elements represent the artisan's process of combining technique and pattern design to create new patterns.

Furthermore, to convey the atmosphere of the workshop, we incorporated environmental sounds such as the sound of glass being cut, clashing noises, and cleaning sounds as background music for the display.

The KIRIKO TREE was not disposed of after the end of its exhibition period but was instead reinstalled as interior lighting within Tokyu Plaza Ginza, continuing to convey the allure of Edo Kiriko to visitors. By utilizing light and shadow in the presentation, the number of electrical decorations was minimized compared to traditional illuminations, allowing for a dynamic display while minimizing power consumption. Additionally, through captions and videos showcasing the artisans and their workshops, the installation regained opportunities for dissemination.

Furthermore, by collaborating with the store "Fujimaki Department Store" within Tokyu Plaza Ginza, visitors were able to purchase the works of the artisans, contributing to increased sales for each workshop and creating a sustainable cycle centered around the installation.