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Hangzhou Villa Moon Restaurant

Forme

SAVE SUBMISSION
Bronze
second floor overview - SALOME STUDIO
looking the east side, Lishou street life became integral part of the project, this effect is obtained with the strategy to use the natural position of the restaurant 1 meters up of the road level - SALOME STUDIO
the common human memories is to stop and watch a moon with her different shape and colors - SALOME STUDIO
second floor overview - SALOME STUDIO

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Restaurant
5.37
5.97
5.73
5.65
5.68
Designer
Client
QunFang Shao
Floor area
862 ㎡
Completion
2022

The concept of Villa Moon is inspired by the scene described in “Drinking under the Moon” by Li Bai, a poet of the Tang Dynasty: “You must drink fine wine, and ride the moon to get drunk on the high platform”. Based on the characteristics of traditional Chinese culture, combined with modern urban lifestyle, in the process of concept creation, contrasting elements of traditional Chinese garden architecture and typical materials of modern architecture are applied, such as: moon-shaped arches (garden entrance doors), wooden windows Facade decoration, natural stone and modern double-facade shading system, and the concept of “remove decoration” in interior space.

The project is an architectural renovation project located in the historical block along the Dadou Road and Yunhe (canal).

The urban context around the restaurant, the constant alternation of “traditional” and “modern” architectural languages also happens to place the project at a fairly central location. Here, the change of architectural style is radial, and the restaurant is just at the boundary of urban style transformation, so it is necessary to find a design style, and strive to accompany tourists in this historical and cultural district and retain the memory of Dadou Road. Therefore, the project building adopts a “double-sided” organizational design. The west side overlooks the inner lanes of the historic district: the traditional language of white brick walls and black terracotta tiles are preserved; the east side faces Lishui Road, supplemented by modern architectural language. The project and urban culture The fusion of project and surrounding therefore echoes the starting point of the concept itself.

How can we integrate and express the above elements? The answer is to seek a solution in the control of the transparency of the facade, which uses a wooden sunshade system designed according to the typical proportions of Zhejiang historical buildings. This effect ensures that the facade is shielded from direct sunlight and show the interior artificial light during night.

The selection of interior decoration and soft decoration materials is based on the concept of “nature”, but not too much “artificial” decoration, materials without complicated processing processes are selected, such as: concrete, stainless steel, micro cement, polished concrete, wood and reeded glass. Considering that after a series of previous renovations, the house completely lost its original structural features, and its own structure is no longer wood, but reinforced concrete, we chose to highlight the natural expression of concrete by means of “Remove decoration” contrary to the traditional “covering decoration” approach, we try to “discover” the original face of the building and transform it into a decorative element.

From the inside to outside, you can overlook the surrounding historical buildings, telling the past and today of the city close to canal.