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Celest

Doepel Strijkers

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Silver
Silver
Floor +58: north/ west corner with kitchen and moonpod - Mathijs Labadie
Floor +58: south/ west  side restaurant: red/ orange colors - Mathijs Labadie
Floor +58: interactive moon reflecting in facade and visible above the city of Rotterdam - Mathijs Labadie
Floor +58: north/ west corner with kitchen and moonpod - Mathijs Labadie

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Restaurant
7.94
7.78
7.94
7.11
7.69
Emily White
Emily White Experiential Design Lead at Deloitte Digital
5
7
6
7
6.25
Claudio Fiore Massenz
Claudio Fiore Massenz Sustainability Design Expert for the Built Environment at PVH Corp.
The Fibrogypsum panels with the add...
6
6
6
7.5
6.38
Eric Ch
Eric Ch CEO at Still Young
6
6
5
6
5.75
Stephanie Lund
Stephanie Lund Cofounder and Creative Director at toi toi toi creative studio
6
7
6.25
7.25
6.63
Peng You
Peng You Co-founder and CEO at Benwu Studio
5.5
6.5
6
5.5
5.88
Gijs Baks
Gijs Baks Founder at Space Encounters
Well executed. Not very homy for a...
5
6
6
5
5.5
Thomas Danet
Thomas Danet Design Director at Jones Lang LaSalle
5
6.5
5.5
7.5
6.13
Kajsa Krause
Kajsa Krause Design Principal at Champalimaud Design
6
6.5
6
7
6.38
Nicky Drobis
Nicky Drobis Partner at Fender Katsalidis
5
6
6
5.5
5.63
Huang	Jianfeng
Huang Jianfeng Founder and Creative Director at ONE-CU Interior Design Lab
5
6.5
6
6.5
6
Ying Sun
Ying Sun Senior Interior Architect at Spotify
6
6
6.5
5
5.88
Matt Parry
Matt Parry CEO at The Future Collective
6
6
6
6
6
Marta Nunez Anton
Marta Nunez Anton Associate Interior Designer at AECOM @ ID+S
Nice use of materials , but in my o...
5
5
5
5
5
Marianne Stroyeva
Marianne Stroyeva Senior Retail Design Manager at adidas
5
6
5
6
5.5
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Colour
7.89
7.72
8.22
6.83
7.67
Emily White
Emily White Experiential Design Lead at Deloitte Digital
5
7
6
7
6.25
Claudio Fiore Massenz
Claudio Fiore Massenz Sustainability Design Expert for the Built Environment at PVH Corp.
The Fibrogypsum panels with the add...
6
6
6
7.5
6.38
Eric Ch
Eric Ch CEO at Still Young
6
6
5
6
5.75
Stephanie Lund
Stephanie Lund Cofounder and Creative Director at toi toi toi creative studio
6
7
6.25
7.25
6.63
Peng You
Peng You Co-founder and CEO at Benwu Studio
5.5
6.5
6
5.5
5.88
Gijs Baks
Gijs Baks Founder at Space Encounters
Well executed. Not very homy for a...
5
6
6
5
5.5
Thomas Danet
Thomas Danet Design Director at Jones Lang LaSalle
5
6.5
5.5
7.5
6.13
Kajsa Krause
Kajsa Krause Design Principal at Champalimaud Design
6
6.5
6
7
6.38
Nicky Drobis
Nicky Drobis Partner at Fender Katsalidis
5
6
6
5.5
5.63
Huang	Jianfeng
Huang Jianfeng Founder and Creative Director at ONE-CU Interior Design Lab
5
6.5
6
6.5
6
Ying Sun
Ying Sun Senior Interior Architect at Spotify
6
6
6.5
5
5.88
Matt Parry
Matt Parry CEO at The Future Collective
6
6
6
6
6
Marta Nunez Anton
Marta Nunez Anton Associate Interior Designer at AECOM @ ID+S
Nice use of materials , but in my o...
5
5
5
5
5
Marianne Stroyeva
Marianne Stroyeva Senior Retail Design Manager at adidas
5
6
5
6
5.5
Client
Magnicity Paris
Floor area
1322 ㎡
Completion
2024
Social Media
Instagram Linkedin
Bar panels with transparant moon rocks custom made
Cork wall finishes custom made
Gradient carpet custom made
Interactive design Moon experiences
lighting advice
Proces management
Builder
Interiorbuilder

The design of Celest in De Zalmhaven in Rotterdam by Doepel Strijkers and commissioned by Magnicity allows Celest’s guests to transcend the ordinary world, to a special place far above the earth. Guests literally rise to new heights as Celest occupies the top two floors of the tower, 190 meters above the Maas River, making it the highest restaurant in the Benelux.

When Doepel Strijkers began formulating the design concepts for Celest, they turned to Edgar Allan Poe’s The Unparalleled Adventure of One Hans Pfaall as a central reference point. The book’s narrative of a journey to the moon provided the inspiration for a design that emphasises both ascent and transformation. The key idea was to create a space where visitors feel as though they are literally ‘ascending’ into another world, a world where the boundaries between the earth and sky blur, and the passage of time becomes fluid.

To ground their vision, the design team studied the moon’s unique qualities, exploring how its surface, atmosphere, and relationship with light could inform the restaurant's aesthetics. The moonpods, central to the design, are conceived in a gradation of colours that shift with the natural light, reflecting the changing atmosphere of daylight as it tran-sitions into night. This approach creates an immersive environment, where guests are not merely in a room, but within a living landscape that mirrors the daily cycle of the earth.

The palette draws from the deep, dark blues of the Earth’s oceans, evoking a nocturnal atmosphere that recalls the vastness of the universe, the moon, and the stars. The dy-namic space of Celest thus becomes a celestial journey, where the passage of time, light, and colour subtly transform the dining experience.

On the first floor where the journey begins, the dark blue of the earth with its oceans still dominates. The blue refers to what Hans Pfaall experienced leaving the earth. As Hans Pfaall ascends with his balloon, he takes a final look at the earth and sees the deep blue of the oceans stretching out beneath the horizon.

Once on the 57th floor, Doepel Strijkers draws inspiration from the moon and the nighttime universe. The cocktail bar on that floor reveals the view of Rotterdam, the bar itself blends seamlessly with the almost infinite space around it. In the cocktail bar, guests enjoy themselves with an interactive representation of the moon and through a telescope with the real world around them.

On the 58th floor, the highest point of the restaurant, the space is designed with a 360-degree view that constantly changes with the course of the day and the colours of the light. In the ‘moonpods’ – the intimate dining spaces of the restaurant – this colour gradient is carried through into the interior. Visitors to Celest are therefore not just in a space, but in a landscape that reflects the passage of time and constantly adapts to the daily cycle.