Vadim Zakharov's installation at the 2013 Venice Biennale breathes life into the ancient Greek myth of Danaë’s impregnation. Zakharov unites the upper and lower storeys of the Russian Pavilion for the first time in the building’s history, composing philosophical, sexual and psychological elements within a simulated theatrical space. Says Zakharov of his work: “The installation has two points for viewing—from above and from below. Kneeling and looking down, we can grasp and feel that we are present at a unique process of materialization of the myth.”
The golden coins that fall from the ceiling to the ground floor represent the male spirit, while women who hold umbrellas to protect themselves from the coins can only visit the lower hall. Zakharov explains that “this is not sexism but merely follows the logic of the anatomical construction of the myth. What is masculine can only fall inside from above, in the form of golden rain. The lower level of the Pavilion is a “cave womb,” keeping tranquility, knowledge, and memory intact.’” See how the installation was created here.
“Danaë” will be shown at the Venice Biennale until 24 November.
Russian Pavilion, 55th Venice Biennale, Giardini, Venice
All images courtesy of the Russian Pavilion and Stella Art Foundation, Moscow.
