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Still

Dominique Coulon & Associés

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View of the main entrance - Eugeni Pons
Activity room - Eugeni Pons
View of the building from the fields - Eugeni Pons
View of the main entrance - Eugeni Pons

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Healthcare Centre
6.27
7.63
5.94
6.93
6.69
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Healthcare Centre of the Year
6.82
7.98
6.42
7.23
7.11
Abby Scott
Abby Scott Interior Design Principal at HDR
The repetition of space is more def...
6.27
8.03
6.27
7.36
6.98
Arianna Bavuso
Arianna Bavuso Cofounder at AB+AC Architects
Unfortunately I don't find the proj...
6.27
7.63
5.94
6.93
6.69
Anna Gitelman
Anna Gitelman Associate Professor at Suffolk University
An innovative approach to healthcar...
9
9
8
8
8.5
Sneha Divias
Sneha Divias Founder at Sneha Divias Atelier
6.27
7.63
5.94
6.93
6.69
Andrea Zickhardt
Andrea Zickhardt Managing Director at Holzer Kobler Architekturen
6.27
7.63
5.94
6.93
6.69
Client
Adèle de Glaubitz Association
Floor area
2346 ㎡
Completion
2022
Budget
3 093 022€ (not including taxes)
Social Media
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Indoor carpentry
Sanitary
Outdoor facilities

Home for people suffering from mental disorders, in Still

Located at the entrance to the Bruche valley, Still is a typical village in Alsace, nestling among the foothills of the valley, where woodland, clearings and running water create a soothing landscape. The home is for people with severe mental health needs and suffering from anxiety, displaying aggressive behaviour, or suffering from any other form of sensorial disorder, which means that the architecture must accurately match the needs of this specific public.

On the edge of a clearing, the square building nestles among the trees, opening out onto the landscape. The rough texture of the concrete, in a noticeably green tint, echoes the verdant surroundings and softens the strict positioning of the structure.
The base of the building, broadly open onto the clearing, houses the common and shared areas. It pivots through the mass of the three higher levels, creating a broad overhang that lends a framework to the view. The overhang emphasises the compact volume of the three floors that accommodate the small living units.

The floor-plan of the ordinary floors is absolutely identical on all three levels, so that residents can easily find their way around the different parts of the building. The only difference is that one wall in the common area on each level is a different colour. This arrangement, the strictness of the layout, and the use of colour all form part of the daily accompaniment of the patients. A standard floor comprises a common area, a terrace shared by everyone, and ten living units. The four facades are pierced according to the degree of privacy of the different areas (individual rooms or shared areas); they each look out onto a soothing element in the landscape.

The indoor areas have been designed in close collaboration with the association responsible for housing these patients, so that they match the residents’ needs as closely as possible. Thus lighting and views, colours and textures, acoustic arrangements and furnishings have all been designed with the everyday requirements of the place’s users in mind.

The building housing this hostel is cubic in shape: the compact nature of its mass limits energy loss. Its twenty centimetre-thick internal insulation is highly effective, as it deals with thermal bridges by using breakers in the slab and insulation returns.

All external joinery is fitted with solar protection to regulate energy input. The core of the building and its structure are made of concrete, which ensures a high level of thermal inertia. All the corridors are naturally lit, thanks to the west-facing terraces, which can be used to create draughts.

We took care to use healthy products: the paints are clay-based, and the bathrooms are tiled rather than covered in PVC. We also took care to ensure that the building did not disturb the surrounding landscape by applying used wooden panels to the concrete to leave traces of their fibres. It was then dyed green to match the colours of the valley.