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Zoofa Boutique

Studio Tina Rugelj

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Miran Kambič
Miran Kambič
Miran Kambič
Miran Kambič

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Multi-Brand Store
4.79
5.77
5.22
5.14
5.23
Claudio Pironi
Claudio Pironi CEO at Claudio Pironi & Partners
5
6
6
4
5.25
Andre Flinterhoff
Andre Flinterhoff Cofounder at Archicon Architectural Intelligence
5.5
7
6
6
6.13
Talar Bardakjian
Talar Bardakjian Creative Director at ODG
4
7.5
5
6
5.63
Tanya Khanna
Tanya Khanna Founder at Epistle
5.81
5.86
6
6.02
5.92
Stephanie Ledoux
Stephanie Ledoux Partner at AW²
5.55
5.61
5.78
5.55
5.62
Peter Culley
Peter Culley Founder and Creative Director at Spatial Affairs Bureau
5.31
5
5.17
5
5.12
Anda Zota
Anda Zota Editor in Chief at Igloo
4.02
4.1
3.95
4.02
4.02
Horace Pan
Horace Pan Founder at Panorama Design Group
4.5
5
5
5
4.88
Christina Wissing Oppermann
Christina Wissing Oppermann Commercial Director at Brandt Collective
4.12
6.69
5
4.17
5
Arne Schultchen
Arne Schultchen Founder and Creative Director at design for human nature
4
5.5
5
5.5
5
Filip Janssen
Filip Janssen Founder at Zware Jongens
4.5
6.7
4.25
4.4
4.96
Bart Veen
Bart Veen Experience Designer at Bart.Agency
5
5
5.21
6
5.3
Salone
Salone Founder at Salone del Salon
4.95
5.1
5.45
5.17
5.17
Client
Zoofa
Floor area
72 ㎡
Completion
2021
Budget
EUR 11.000
Social Media
Instagram Facebook Linkedin
Photographer
Retail Multibrand Store
Furniture

On Miklošičeva street, where the most famous examples of Slovene Secession can be found, the ZOOFA store, which unites Slovene designers in the field of fashion and applied arts, has come to life in the building of the former People’s Loan Bank. 

It is no coincidence that the store found its place in the example of the first real Art Nouveau building by the architect Josip Vancaš in Ljubljana. He managed to convey the spirit of Slovene arts and crafts into the typical Art Nouveau facade, marked by ceramic tiles and shallow balconies. 

The symmetrical facade of People’s Loan Bank is painted in the colors of the Slovenian tricolour, which is expressed in three different materials: red porphyry tiles on the ground floor, blue glazed tiles on the first floor and white plaster on the upper part of the facade. The store consists of two exhibition spaces. The street-view entrance area with its representative 5-meter ceiling and restored stucco calls for various fashion creations to be exhibited. For this purpose, each designer has a stand made of water pipes. Specially adapted signs, made from the plumbing handles, which serve as a holder for the tiles with the names of the designers, are removable, which makes it easy to adjust and change the layout of individual pieces. 

This seemingly small design quality reflects the key concept of the store. With a scheduled circular change of positions of the exhibited pieces, the store wants to pay equal amount of attention to all the unique and original stories that the collaborating designers tell through their works. The central element from visible concrete (fiber cement pannels) of the entrance space, which consists of three blocks of different heights, also provide additional product exposure. The blocks serve as display shelves as well as storage areas as they can be opened. The selected pieces are illuminated by a voluminous chandelier from fiber cement in the shape of a potica (Slovenian traditional pastry), which subtly reminds us that the presented fashion products in this space are works of domestic designers. 

Most of the space is occupied by wardrobes, which are covered with velvet curtains. The visual element of the curtains is also found in the entrance area in the form of a corrugated cashier’s desk. When we look back from the store to the street, we notice that the street also came in the store with us. Even though both rooms are dominated by neutral tones, which ensure that the unique creations, colours and patterns of each designer really come to the fore, we are once again faced with the colors of the tricolour. The blue-colored passage, red velvet curtains and white walls not only reflect the Slovenian character of the exhibited pieces, but also bring Miklošičeva street into the space – the red Franciscan Church, the colorful Vurnik building of the United Bank and the facade of the former People's Loan Bank.