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Yorck Kino Passage

Batek Architekten

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Yorck Kino Passage

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Entertainment Venue
5.82
6.38
5.71
5.50
5.85
Sandra Adrian Asplund
Sandra Adrian AsplundCreative Director at Asplund Collection Stockholm
good deisign idea but it it doesnt...
6.19
6.26
5.91
5
5.84
Paulo Rocha
Paulo RochaPartner at  KPMB Architects
6
7.5
6
5
6.13
Frederik Bellermann
Frederik BellermannStrategic Marketing Manager at Wilkhahn Wilkening+Hahne
I love the use of color here, some...
6.6
7.02
6.67
6.1
6.6
Nathan Allen
Nathan AllenHead of Global Sustainability Programs & Partnerships at Google
6.17
6.91
5.75
5.33
6.04
Luisa Norbis
Luisa NorbisInterior Designer and Journalist at Luisa Norbis
5
5
5
5
5
Guillermo Blanco
Guillermo BlancoDesign Director at Worldesignteam
6.17
7.52
6.31
6.38
6.6
Ava Watson
Ava WatsonMultidisciplinary Designer at Ava Watson
6.6
6.6
6.52
6.81
6.63
Ricardo Seola
Ricardo SeolaCreative Director and Photography Professor at Ricardo Seola and NABA Milano
5.24
5.88
5.24
5.17
5.38
Virginia Lung
Virginia LungDesign Director at One Plus Partnership
6.1
6.95
5.56
6.02
6.16
Wang Xiaodong
Wang XiaodongPrincipal at Zhejiang University Architectural Design and Research Institute
4.11
4.19
4.16
4.14
4.15
Client
Yorck Kinogruppe
Floor area
325 ㎡
Completion
2021
Social Media
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One of Berlin’s oldest cinemas shines again. With our signature sensitivity towards existing spaces, we have brought new allure to the foyer and two smaller auditoriums of the Passage cinema through a series of precise interventions. This has allowed the historic aura of the hundred-year-old building in Neukölln to unfold in new ways yet simultaneously fulfil the functional and aesthetic requirements for a visit to a contemporary cinema. 

The original neoclassical-style ‘Rixdorfer Gesellschaftshaus’ building was erected in 1908. Two years later, the ‘Excelsior Lichtspielhaus’ cinema opened on the first floor in a space originally intended to be a theatre auditorium. After its closure in 1968, the cinema was used as a furniture storage space, amongst other things. At the end of the 1980s, the Yorck Kinogruppe took over the building, which was now under a preservation order. They restored the large main auditorium to its former historical glory and called it the ‘Passage Kino’.

 The task with the Passage cinema was to let the beauty of the existing space shine once again whilst adapting it to the requirements of a contemporary cinema audience. 

The aesthetic of the building complex is defined by the shape of the large arched windows of the façade. We picked up on this dominant repeating form in their design of their new bar for the foyer. The natural tones of the colour scheme follow the earthy reddish-brown colour of the original preserved linoleum flooring in the foyer. This colour palette is complemented with the surprising addition of a pistachio-green coat for the arched foyer bar, balanced by a pale natural cork covering on the other cupboard fixtures to its left, which conceal the drinks storage and staff room spaces. The cork covering allows for the hanging of posters and notices on the large flat doors. 

In a resource-conservative approach, part of the original Corten steel cladding of the previous bar has been upcycled and reinstalled as panelling, edging and fitting elements. The original brass light fittings and wonderful historic plaster mouldings were also restored and remain an important part of the new overall concept. 

New podiums were installed in the cinema’s two smaller auditoriums to allow for optimal visibility. Although the aesthetic interventions here were more fundamental, they still remain true to the charm of the classic cinema experience. The walls of one screening room are clad in sumptuous folds of dark Prussian blue fabric which contrasts with the warm glow of the yellow-upholstered seating rows. The other screening room is an interpretation of the classic cinema interior with a range of reds from rust to crimson covering walls and seating alike with long vertical strips of light at regular intervals along the side walls. 

We have created a connection between the glamour of one of Berlin’s oldest cinemas and the cinema experience of the here and now with thought-out and sophisticated interventions.