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YooYuumi Kids Club Beijing

X+Living

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Restaurant
4.87
5.33
5.80
4.80
5.2
Howard Duffy
Howard Duffy Founder at HTDSTUDIO Arkitekter AB
5
5
5
5
5
Nic Lee
Nic Lee Design Director at Waterfrom Design Co., Ltd
5
5
5
5
5
Hana Ahriz
Hana Ahriz Co-founder at Space & Pepper
Alice in Wonderland 100% Effect! I...
5
6
7
5
5.75
Franziska Heuschkel
Franziska Heuschkel Founder at Space & Pepper
'Camp' for kids. A strong theatrica...
6
4
8
5
5.75
Mark Anderson
Mark Anderson Architect at Mark Anderson Design
Independent of the function, the in...
5
6
5
5
5.25
Bhavin Taylor
Bhavin Taylor Founder / Interior Designer at Bhavin Taylor Design
Love the play on scale used through...
6
6
7
5
6
Puri Lighting Design
Puri Lighting Design Design Director at Beijing Puri Lighting Design
5
6
7
6
6
Vivian van Schagen
Vivian van Schagen Founder at The Invisible Party
5
6
7
5
5.75
Sam McMorran
Sam McMorran Strategy and Design Director at IDEO
5
5
6
5
5.25
Tracey Wiles
Tracey Wiles Principal at woods bagot
5
7
5
5
5.5
Lauren Touhey-Otto
Lauren Touhey-Otto Head of Design at Kinzo Architekten GmbH
3
5
5
3
4
MAO Jihong
MAO Jihong Founder at EXCEPTION de MIXMIND and Fangsuo Commune
3
4
4
4
3.75
Agnes Kwek
Agnes Kwek Design Ambassador at DesignSingapore Council
4
4
4
5
4.25
John Allsopp
John Allsopp Architect at John Allsopp Studio
6
6
7
4
5.75
Falco Webbink
Falco Webbink Head of Design at Wink
5
5
5
5
5
Designer
Client
Xia'en Catering Management Co., Ltd.
Floor area
1000 ㎡
Completion
2019
designer

Different from the traditional parent-child space such as playground, the parent-child restaurant is a place to meet the social needs of different groups of people. The designer carefully observes the difference in the psychological sense between parents and children, and takes good care of the ritual feelings required by adults and the entertainment facilities necessary for children in the same space. The parent-child restaurant brand YooYuumi, based on the new romance, blends in perfectly with eastern leisure pattern. The front hall has been given a combination of reception, retail, leisure and other functions. Designer has created an elegant living room with several sets of elaborate cabinets and comfortable sofas. The furniture such as chairs and coffee tables are used for display. Consumers are like a owner’s friend, and appreciate the daily parent-child products carefully selected by the owner. The decorative style of the front hall extends to the shoe-changing area, which is like walking into the castle's long hall. The exquisite large wardrobe and display cabinet are used as shoe cabinets, which not only protect guests’ privacy, but also fully takes care of the psychological needs of consumers of being elegant. The innovation of the furnishings scheme, while weakening the purpose of the function, simultaneously integrates the client's business appeal into the overall space aesthetic. The designer used the space in the Western aristocratic life scene to evoke a sense of ritual, which has displayed the elegant etiquette service towards the targeted groups. In the theater themed restaurant, the distribution of tables and chairs imitates that of the banquet hall, so that each part has a beautiful view of scenery whatever your glance rests on. In limited space, designer built a castle-like children's entertainment area on the outskirts of the restaurant and a flexible path to connect the children's favorite rides. All the materials are used in children’s entertainment area are environment-friendly. The layout design of the dining area and the entertainment area separates the different atmosphere in the space, which allows the parents to enjoy the relatively elegant dining environment while enabling the children enjoy themselves to their heart’s content in some specific area. Such design scheme like this has ensured the dining experience of both the targeted groups. The ultimate pursuit of ritual feeling is also reflected in the design of the bathroom. Breaking through the display way of traditional sanitary ware, the designer transformed the antique wardrobe to carry the sanitary ware. In order to make the bathroom neat and elegant, a quiet rest area was specially created outside the bathroom. With architectural design techniques being used, designer expresses traditional Chinese paper-cutting using western aesthetic lines. Furniture and lamps seem to be folded from the wall, full of elegance and childishness. This design method not only highlights the three-dimensional sense, enriches the spatial hierarchy, but also completes the artistic exquisiteness and fun in details. Designer used the architectural method to create a strong spacial sense with arch and linear elements. The deconstruction, reorganization, variants, and rounding of the elements leave the space with a harmonious comfort on the complex texture. The pure and elegant white outlines the mainly bright color of the space. The designer subtly places the exquisite flower pattern on different objects such as the soft leather furniture and the cabinet. Although the craft is complicated, the uniform pattern is like a splash of ink wandering on the pure white canvas, which makes the space not only has a smart color, but also leads to a clear follow-up main line. The blue-and-white color reshapes the green plant pattern, which brings out the warm and temperament of the space. The remaining large color blocks filled with the rich contrast color as well as the sense of stage scene created by the arched enamel have altogether metaphorized the professional characteristics of the project owner. The European-style door arch echoes the form of Chinese paper-cutting. The color of the opera contrasts with the color of the elegant blue-and-white color. The extraordinarily rich colors are compared with the casual and random inks. The aesthetic charm of China and that of West meet here, and thus burst out a wonderful dialogue full of aesthetic interest.