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Villa Fifty-Fifty

Studioninedots

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
House
7.80
7.00
7.90
7.10
7.45
Tola Ojuolape
Tola Ojuolape Senior Project Designer at Selina
The seperation of spaces and the us...
7
7
7
7
7
Aezad Muzaffar Alam
Aezad Muzaffar Alam Co-Founder and Design Director at REFORM Studio
8
7
8
7
7.5
Daniel Wigham
Daniel Wigham Strategy & Sustainability Lead at StudioXAG
Interesting how the space often blu...
8
7
8
7
7.5
Bill Bouchey
Bill Bouchey Principal - Director of Design Interiors at HOK
Successful "parti" in compact footp...
8
7
8
8
7.75
Anika Hülser
Anika Hülser Head of Interior Architecture at HPP Architekten GmbH
8
6
8
7
7.25
Tiffany Yao
Tiffany Yao Regional Workplace Manager at Newmark
Simple geometric forms create power...
8
7
8
7
7.5
Penny Craswell
Penny Craswell Writer at The Design Writer
8
6
7
7
7
Martin Mostböck
Martin Mostböck Founder and creative director at AID at Martin Mostböck. AID - ArchitectureInteriorsDesign
Great architecture, beautiful detai...
8
8
9
7
8
Zhang Jiliang
Zhang Jiliang Vice President at Greentown China Holdings
8
8
8
7
7.75
Christina Wissing Oppermann
Christina Wissing Oppermann Commercial Director at Brandt Collective
7
7
8
7
7.25
Client
private
Floor area
240 ㎡
Completion
2020
Photographer
Construction

Studioninedots designed family home Villa Fifty-Fifty as a pavilion where volumes alternate between open and closed, and where life happens just as much outdoors as indoors: a new typology for maximising visual and family interaction. For clients who requested a minimalist lifestyle along with nature, Studioninedots radically treated living and outdoor functions equally important and organized them randomly as connected volumes of similar dimensions between two horizontal planes. The shared spaces and the parents’ spaces are located on the ground floor; the girls have their self-contained tiny house in the tower: life-cycle proof. This tower protrudes vertically through the two horizontal slabs. The entrance is situated at the intersection. All volumes have their own atmosphere and light through the various roof openings. The design is fashioned from industrial materials, in neutral greys and with varying textures. Next to plants, glass dominates, naturally, to blur the boundaries between inside and outside and to allow for views and open sight lines. Four enclosed volumes feature an unusual application of materials: master bathroom (flagstones), bedroom and office (glazed bathroom tiles), the round shed (semi-transparent polycarbonate) and the tower (polished aluminum). Additionally, customised applications elevate industrial elements into refined details. This open garden home connects well to the adjacent woodlands and subtly echoes the industrial heritage of Strijp-R.