The project is located in the core area of high-tech business in the south of Chengdu, where contemporary Chinese elites and social upstarts gather. The beauty of things lies in the minds of people who observe carefully. They pay more attention to artistic aesthetics and the quality of life. In the design, not only the form and function of the space need to be paid attention to, but also the relationship between people, people and things, and things in the space. It is necessary to try to draw people's behavioral and emotional needs for space into a systematic blueprint, unify the design of the overall function of the space, and establish the link between the spatial form and the emotional consciousness of the person. Eighty percent of a person's life is living and moving in an indoor space, but from the perspective of people's feelings, the scale of the space is not as open and wide as possible. The scale of the space is actually people’s comprehensive feelings about the size and layout of the space. It is necessary to consider more people’s psychological and physiological needs for indoor space. While seeking to solve the living needs, it is also expected to create in line with the material functions and psychological characteristics of life. In this project, between the volume of the space and the floors, an attempt was made to find a free and interesting combination, to construct a free scale of people in the body, to abandon complicated decorative forms, and to maximize the interaction between people and space. With the floor-to-ceiling device, you can feel the owner's perception of aesthetics from the moment you enter the door. The sweetness of cherries and the toughness of the angular marble give people a just-right feeling. The white TV background wall decorated with black hollows hangs from the reception area and the restaurant. It is clean and stylish and builds the free interaction and emotional superposition of people and space. The designer interprets possibility and freedom in the minimalist design. Minimalist white is the restraint of space, giving more imagination to the future home and giving the family the best living imagination; the milky white plush chair carries its mission, allowing black and white minimalism to complement each other, adding to the sensory experience a soft and warm. The story of the home continues here. Each space makes full use of natural light. The light introduced from the shutters penetrates the glass floor and pours down. The two spaces are connected by natural light. It seems effortless, but it is the designer’s whimsy. A simple way to achieve integration between spaces. In the staircase part, except for the hollow part between the steps, the traditional handrails are discarded on the premise of ensuring safety, and the complexity is simplified, leaving the space with blank space and freedom of the senses. Large areas of white space and arcs are admiration words for softness and elegance. They are closely matched with the details, which together form the aesthetic and rhythm of the space, and also endow the space with full tension. In the spatial scale, the designer hopes to create some inward spiritual territory that can be opened and closed, creating a peaceful and comfortable place for users, and establishing the relationship between people and space and people with the occupants’ physical feelings as the core. Emotional connection. The dense and soft bedding and the elegant and gentle blankets are harmoniously embedded in simplicity without breaking the modern sense, giving the space a modern sense of soft and quiet color. The designer chooses a stool made of animal fur that is different from conventional fabrics to express the outstanding style of the bedroom owner in the details. The injection of arcs makes the tough lines more agile, giving the space agility and full of changeable vitality, becoming a flowing beauty that runs through space, with a gentle composition and pure painting color, expressing a simple lifestyle.