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To Summer Shanghai Flagship Store

F.O.G. Architecture

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Display room on the ground floor - SFAP
Exterior view - SFAP
Courtyard view - SFAP
Display room on the ground floor - SFAP

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Single-Brand Store
6.72
7.06
7.30
6.88
6.99
Sandra Adrian Asplund
Sandra Adrian Asplund Creative Director at Asplund Collection Stockholm
5.14
7.23
7.3
5.77
6.36
Guillermo Blanco
Guillermo Blanco Design Director at Worldesignteam
6.12
6.03
6.04
6.05
6.06
Frederik Bellermann
Frederik Bellermann Strategic Marketing Manager at Wilkhahn Wilkening+Hahne
5.95
5.95
6.02
6.45
6.09
James Dilley
James Dilley Director | Head of Hospitality and Interior Design at Jestico + Whiles
8.02
6.63
8.52
6.35
7.38
Paulo Rocha
Paulo Rocha Partner at  KPMB Architects
6
7.5
7.5
6
6.75
Luisa Norbis
Luisa Norbis Interior Designer and Journalist at Luisa Norbis
Again, beauty in the simple . Love...
7.51
7.86
8.07
7.93
7.84
Ava Watson
Ava Watson Multidisciplinary Designer at Ava Watson
6.95
7.38
7.67
6.81
7.2
Nathan Allen
Nathan Allen Head of Global Sustainability Programs & Partnerships at Google
6.19
6.54
7.02
6.08
6.46
Ricardo Seola
Ricardo Seola Creative Director and Photography Professor at Ricardo Seola and NABA Milano
7.02
7.67
7.52
7.6
7.45
Virginia Lung
Virginia Lung Design Director at One Plus Partnership
7.42
6.63
7.02
8.09
7.29
Wang Xiaodong
Wang Xiaodong Principal at Zhejiang University Architectural Design and Research Institute
7.61
8.29
7.62
8.58
8.03
Client
To Summer
Floor area
400 ㎡
Completion
2022
Photography
Landscape Design
Renovation
Managing Contractor

The To Summer Shanghai Flagship store, located at No. 111 Hunan Road, is a “Spanish Colonial Revival” architecture. Sited amongst many of its kind built 100 years ago, this project introduces a new subject to the neighborhood – an “Eastern New Modern” aroma brand. Our design aims to resolve its programmatic discord, structural challenges, and perceived conflict. 

Upon entering the villa from the buzzing streets, visitors are greeted with a ceremonial cleansing station. The gesture of hand washing is a calling to slow down and mentally prepare for arriving at the venue. The original bathroom in between the villas is removed and replaced by a magnolia tree. In the backyard garden, the original plants were kept, with new landscape design surrounding the existing four trees. To contrast with what was there before, the newly added plants are selected for their undersized silhouette. 

Standard commercial functions are programmed on the ground floor, allowing the second floor to transform as Summer’s living room, tea room and study. The second floor embraces an open floor plan where visitors are encouraged to appreciate minute seasonal changes reflected within the space, such as adoring the winter sun and ever-changing shadows cast by surrounding trees. Interior lighting is dimmed. We played mostly with natural light and a restrained use of band light to render a homie atmosphere. 

The challenging aspect in this project is to reconcile the new program and the villa’s rich historical background. We aim to design a space where visitors are guided to experience the stories that have happened, are happening and are about to happen here. A successful design should not be a finished product. It is an honest dialogue between the user and the space. The constant interaction of “people” and “objects” reconstructs the space and generates new meaning.