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The Chamber Church

Büro Ziyu Zhuang

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Shengliang Su
The Chamber Church - Shengliang Su
Shengliang Su
Shengliang Su

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Cultural Space
7.09
7.13
7.75
6.23
7.05
Anda Zota
Anda Zota Editor in Chief at Igloo
7.37
7.77
8.29
7.6
7.76
Filip Janssen
Filip Janssen Founder at Zware Jongens
Stripped down to the essence but tr...
6.25
6.5
7.8
6.8
6.84
Claudio Pironi
Claudio Pironi CEO at Claudio Pironi & Partners
6
7
7.5
5
6.38
Talar Bardakjian
Talar Bardakjian Creative Director at ODG
Ethereal...
7.5
7.5
9
5.5
7.38
Andre Flinterhoff
Andre Flinterhoff Cofounder at Archicon Architectural Intelligence
6.5
7.5
7.5
5.5
6.75
Bart Veen
Bart Veen Experience Designer at Bart.Agency
Stunning. Very inspiring to see how...
8
7
9
6.5
7.63
Christina Wissing Oppermann
Christina Wissing Oppermann Commercial Director at Brandt Collective
7.98
7.36
8.45
6.88
7.67
Peter Culley
Peter Culley Founder and Creative Director at Spatial Affairs Bureau
7.24
7.31
6.95
5
6.63
Stephanie Ledoux
Stephanie Ledoux Partner at AW²
7.2
7.09
7.55
7.15
7.25
Arne Schultchen
Arne Schultchen Founder and Creative Director at design for human nature
Iconic enlightenment...
7
7
7.5
5.5
6.75
Salone
Salone Founder at Salone del Salon
7.74
7.24
7.02
7.1
7.28
Tanya Khanna
Tanya Khanna Founder at Epistle
6.3
6.28
6.47
6.2
6.31
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Cultural Space of the Year
7.61
7.52
7.96
6.78
7.47
Ammar Eloueini
Ammar Eloueini Principal and Founder at AEDS
8.17
8.1
8.17
6.23
7.67
Bart Veen
Bart Veen Experience Designer at Bart.Agency
I like the fact that they are break...
7.97
7.51
7.75
6.85
7.52
Peter Culley
Peter Culley Founder and Creative Director at Spatial Affairs Bureau
Appreciate seeing a highly refined...
7.09
7.13
7.75
6.23
7.05
Luo Yujie
Luo Yujie Founder at LUO studio
The environment is good, and the co...
7.09
7.24
7.75
6.88
7.24
Björn Asmussen
Björn Asmussen Director and Executive Architect at 3Deluxe
Like how the spiritual space of the...
8.02
7.95
8.6
7
7.89
Wang Xiaodong
Wang Xiaodong Principal at Zhejiang University Architectural Design and Research Institute
7.3
7.2
7.75
7.5
7.44
Client
Sunac China Holdings
Floor area
770 ㎡
Completion
2021
Budget
CNY 10,000,000
Social Media
Instagram
Lighting

The Chamber Church aims to create a spatial container that both respects the past and looks towards the future. It shall provide a religious experience and secular touch. Looking backwards we find the archetypes of architectural associations in history. The design echoes the memories associated with them, but interprets them in a timeless modernity creating a sense of the future. 

The architecture integrates this duality in plan and section. During the design process, we integrated different vernacular façade images of traditional churches. The derived base volume is then expressed through a series of slices, in order to reveal both the interaction of archetype and experiment, and the core issue associated with it: divinity and ritual. 

The interior space of the assembly hall is a soft, flowing cavity that creates an interesting detachment from the sharp geometric exterior contours. The cavernous space of the assembly hall thus attempts to give people a sense of peace and shelter in the form of an enclosure, just as the cave once did. It again provides a frame for the ritual and sacredness desired by the people holding the ceremony, thereby triggering a connection between the real and spiritual dimensions. This softness contrasts with the hardness of the exterior to create a visual interaction between the interior and exterior. 

In contrast to the traditional concept of floor function, the 60 separate and gradual slices can be regarded as 60 independent sections. The sequential slices are introduced in a pure and modern way, whilst the gaps of the façade create various visual effects depending on the angle of the observer. The created gaps allow the light to enter. As it passes between the white slices, it reflects back and forth between them and then spreads evenly and softly into the interior. 

Throughout the day, the changing angle of the sun and its relation to the gaps and interfaces create varying visual effects. The play between direct and reflected light gives the "cave" a sense of divinity and elation. The cascading white slices soften the interior light while wrapping the main frame and construction system of the building, giving the entire assembly a concise and austere atmosphere, which is both a contemporary aesthetic tendency and an echo of tradition - a fusion of heritage and contemporaneity. 

The variation of sections makes the outside of the Chamber Church traditional and hard; while the inside, due to gradual cavity, becomes emotional and soft. It transforms into a space that can carry a series of contents, deriving more ways of usages and richer meanings for the site and its users in the long-term operation and using process.