We were born in the nature but lost in the city. In this case, under the designer's ingenious planning, rows of upright pipes are inlaid on the facade of the building, like a solemn pipe organ in the cathedral, welcoming all the guests and playing the natural flow of its own. When the night falls, soft light pours out from the building, lighting up the field, and for the lost travelers in the city, illuminating a path leading them back to nature. The lighting design of this case creates a variety of imaginary spaces with modern geometric aesthetics, and interweaves various forms of light and shadow. On the outside, the irregular shape of the building body, coupled with an asymmetrical lamp tube design, creates a sense of harmony in accidents. The use of white upright tubes with lights creates different feelings and images during the day and night. When night falls, it is the highlight and stage of these upright pipes. The up and down upright pipes, like the grand and solemn pipe organ in the cathedral, are like the beating notes on the piano score, playing with light and shadow in a low voice. Like ocean waves, stacked and pushed back and forth, surging. Looking at it from another angle, like being in a dense bamboo forest, the breeze is blowing and rustling. With the extraordinary image of nature, the sense of gradation and asymmetrical beauty is used to create unexpected magnificence. This design gives viewers rich associations and adds interest and imagination to the design. On the contrary, when the sun is shining, these lamps do not lose their brilliance. Under the shining of natural light, the white lamp design suddenly becomes the special shape of this private reception hall. It is transformed into a white canvas. With the wind blowing freely. In order to echo the sense of uniformity between inside and outside, the interior ceiling is also equipped with hanging vertical pipes, which are used as chandelier. The neatness of the arrangement is different from the exterior, but it creates a sense of geometry itself and minimalism. Several rows of vertical tubes are specially selected to place lights to add playfulness to the overall pattern. Irregularities are embellished in the rules. In this way, such ingenuity separates and echoes the external lighting. The ceilings of the remaining compartments in the interior also use asymmetrical geometric design boxes, using indirect lighting to create a soft light that is modern and minimalist but does not lose interesting element. The warm charm of indirect lighting spreads to a wide range of spaces. In addition, the interior lighting is great, and the use of natural light can be cleverly combined with the lamp. The overall lighting design is not deliberately highlighted, but at the same time, because it is integrated into the space, it allows both function and beauty to bring out the ingenuity of the lighting design.