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Septiembre

Clap Studio

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Bronze
Metal stands can be used as tables for books or magazines, as product stands to hightlight new products and can be removed to allow more seats. - Daniel Rueda
Hall and waiting area. - Daniel Rueda
Facade - Daniel Rueda
Metal stands can be used as tables for books or magazines, as product stands to hightlight new products and can be removed to allow more seats. - Daniel Rueda

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Wellness Space
5.97
5.49
6.34
5.42
5.8
Tugba Okcuoglu
Tugba Okcuoglu Creative Concept and Customer Experience Developer at Ingka Centers
Fresh feeling, nice blending of col...
7.38
7.23
8.04
7.45
7.53
Justine Fox
Justine Fox Founder and Colour Specialist at Studio Justine Fox
Beautiful palette of humble materia...
7.32
7.43
7.41
8.01
7.54
Maja Bernvill
Maja Bernvill Creative Director at Specific Generic
5
5
5
6
5.25
Sanchit Arora
Sanchit Arora Principal Architect at Renesa Studio
Love few parts of the design lines...
7
5.5
6
5
5.88
Adi Utama
Adi Utama Global Office Development at JetBrains
7
7
8
7
7.25
Jan Clostermann
Jan Clostermann Founder and Director at CLOU Architects
5.5
5
5.5
6
5.5
Jorge Mendez Caceres
Jorge Mendez Caceres Creative Director at BDG Architecture & Design
6.53
2.68
8.21
2.95
5.09
Marie Hesseldahl
Marie Hesseldahl Partner and Head of Interior and Product Design at 3xn
7
7
8
6
7
Bin Ju
Bin Ju Founder and Chief Design Director at Horizontal Design
5
5.62
4.41
3.93
4.74
Marie-Andree Busque
Marie-Andree Busque Director Interior Architecture at Sid Lee Architecture
6
5.5
7
5.5
6
Constance Guisset
Constance Guisset Founder at Constance Guisset Studio
7
7
7
7
7
Islam El Mashtooly
Islam El Mashtooly Creative Director at OBMI
5
5
7
5
5.5
Jason Chan
Jason Chan Founder at Jason Design Group
3.81
3.91
4.12
2.98
3.71
Liyun Hao
Liyun Hao Founder and Design Director at EVD
4
3
3
3
3.25
Designer
Client
Septiembre Clinic
Floor area
120 ㎡
Completion
2023
Budget
80.000€
Social Media
Instagram Facebook Linkedin
Lighting
Furniture

Septiembre is a very small clinic designed in detail to offer an efficient, warm and friendly service. The aim of the project was to create an aesthetic medicine clinic getting away from traditional imaginary.
The inspiration for the interior comes from the month of September, which gives its name to the project, and from some very special flowers called Aster. The characteristic of these flowers is that they bloom in September and not in spring. This act of blooming, apart from being a nice simile with what happens inside the clinic, was the concept for the design of the space.
The client's brief was very clear: to create an aesthetic medicine clinic with a fresh, young and friendly character. Septiember offers aesthetic medicine services that require expert hands and a space that allows the user to relax and feel confident.
Natural wooden stands accompanied by real and conceptual flowers represent a sinuous field of Aster flowers in bloom. The handcrafted and imperfect finishes lead us to an honest, relaxed and far from artifice space where naturalness is key. Cream tones contrast with the desaturated blue of the brand and a sun that illuminates and gives energy to the space.
Inside (Septiembre) all the conceptual flowers are removable, being able to leave the whole of the stands empty so that more people can be accommodated if the space is used for product presentations or events. These stands that conceptualize the Aster flowers, are product stands or stands for magazines and books.
The aim of (September) is for the user to achieve calm and wellbeing. With this in mind, inside the treatment rooms we added curtains that cover the entire perimeter in a curved shape. These curtains hide all the visual noise typical of clinics and also blur the straight lines and sharp corners of the walls. These curved shapes and the soft texture of the curtains transport the user to the inside of their own bubble, to that 'me time', a state of calm and peace that is emphasized by the use of dim lighting on the walls and ceiling.
In this project we took into account important circular economy principles to facilitate the second life of the materials used. We built with the ease of disassembly of each of the materials in mind, for later re-use and also avoided the coating of materials that are not easy to remove.
In the waiting room and September hall the grandstands are made of 100% natural ash wood. The metal shelves representing the Aster flowers are inserted into holes drilled in the surface of the wood, without the need to fix them. This makes it easy to dismantle after use and the wood used is completely recycled to give it a second life. Inside the rooms, the tiled worktops are independent of the cabinets underneath. The cabinets are made up of wooden modules and metal elements that are easy to remove, dismantle and recycle. The aim was to be able to dismantle all the wood used in the project for later reuse and/or recycling.