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Olive Lounge Shimotakaido

Tonerico:Inc.

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A new typology was born—a bank integrated with a café and time-based office lounge. With users coming from various backgrounds and industries, our goal was to manage sightlines to ensure individual time and privacy could be protected—without creating a sense of confinement. - Nacása & Partners Inc.
We retained the facade, the familiar face of a long-standing station-front bank, while reimagining what a bank should look like in the future. From the gaps in gray that accentuate the building’s original form, glimpses of olive green—the signature color inspired by the facility’s name, Olive LOUNGE Shimotakaido—peek through. - Nacása & Partners Inc.
The entrance vestibule, evoking the formality typical of Japanese banks, is aligned along the central axis of a circular core, offset from the exterior wall. From within the vestibule, one can see how the spatial lines connect directly to the architectural center, revealing a strong integration between the newly constructed interior and the existing structure. - Nacása & Partners Inc.
A new typology was born—a bank integrated with a café and time-based office lounge. With users coming from various backgrounds and industries, our goal was to manage sightlines to ensure individual time and privacy could be protected—without creating a sense of confinement. - Nacása & Partners Inc.

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Multi-Brand Store
7.25
7.69
7.31
7.25
7.38
Doris Sung
Doris Sung Principal/Director of Undergraduate Programs at DOSU Studio Architecture/USC School of Architecture
I love the use of color in contrast...
4
8
7
5
6
Julio Kowalenko
Julio Kowalenko Cofounder at Atelier Caracas
I was very pleased with this one!...
4
8
7
7
6.5
Lorcan O'Herlihy
Lorcan O'Herlihy Founder, Design Principal at Lorcan O'Herlihy Architects [LOHA]
this is a nicely designed project....
7
8
8
7
7.5
Tobias Geisler
Tobias Geisler Cofounder at VAVE Studio
4
6
7
7
6
Ting Yu
Ting Yu Chief Architect at Wutopia Lab
7
5
6
5
5.75
Simon Goff
Simon Goff Founder and Director at Floor_Story
7
7
9
6
7.25
Nathan Watts
Nathan Watts Creative Director at Interstore
6
7
7
6
6.5
Janne van Berlo
Janne van Berlo Founder at Atelier van Berlo
love the use of colour & natural ma...
8
7
9
7
7.75
Frank Lee
Frank Lee Founder and President at Shanghai Fengyuzhu Culture Technology
7
6
7
6
6.5
Victoria Yakusha
Victoria Yakusha Founder and chief architect at Yakusha Studio & FAINA Collection of live design
6
7
7
6
6.5
Nic Granleese
Nic Granleese CEO and Cofounder at BowerBird
5
6
6
5
5.5
Yanchih Wang
Yanchih Wang President and Chief Designer at GD-Lighting Design
7
8
7
6
7
Akanksha Deo Sharma
Akanksha Deo Sharma Designer at Ikea
5
6
7
4
5.5
Jeff Yrazabal
Jeff Yrazabal President at SRG Partnership
6
7
7
5
6.25
Client
Culture Convenience Club Co.,Ltd./Sumitomo Mitsui Banking Corporation.
Floor area
1481 ㎡
Completion
2024
Social Media
Instagram

Enclosure and Division

CCC(Culture Convenience Club) and SMBC (Sumitomo Mitsui Banking Corporation) launched a joint initiative to create one of Japan’s largest integrated payment and point ecosystems. As part of this strategy, SMBC’s “Olive” vision was spatially redefined through CCC’s design expertise, resulting in the co-produced “Olive LOUNGE.” CCC’s SHARE LOUNGE brand, which collaborates with bookstores, banks, hotels, offices, and residences, serves as the foundation. At Shimotakaido, a cozy residential district of Tokyo, the lounge is imagined as a grove retreat like space surrounded by books and greenery. With 63 seats for working, relaxing, or enjoying a drink, the space sits at the station’s doorstep and aspires to become a local hub of connection and exchange.

The project began by questioning what a bank could be in the future, moving beyond the convenience of a typical station-front branch. Online banking has decreased foot traffic, yet there remains consistent demand for ATMs, consultations, and safe deposit boxes. Even in this prime location, operations used to end at 3 PM, leaving shutters down and space unused. To fully activate the site, the design focused on two things: creating a space usable after hours, and rethinking how to spatially divide traditional banking from new functions. In contrast to the former layout—ATMs and counters on the ground floor, meeting rooms upstairs—the new plan places a café and ATM on the first floor and banking services with SHARE LOUNGE on the second. The goal: to invite people to visit naturally, all day long. Yet, as planning progressed, structural and regulatory constraints emerged. This was far more complex than a typical renovation.

A key design move was to reinterpret the existing architectural character. We started by revisiting the building’s structural core—particularly the circular form visible in its exterior. Previously underutilized, this round shape was transformed into a central spatial element. The existing vestibule aligned with the circular axis, which became the organizing point of the first floor. A cylindrical volume was inserted, creating both spatial rhythm and a sense of flow between inside and out. It guides people through the entrance, encourages lingering in the café, and draws attention toward the relocated ATM and the stairs beyond.

On the second floor, the banking counters and SHARE LOUNGE coexist. After banking hours, the entire floor transforms into a lounge. Seating types vary—face-to-face tables, semi-private booths, and counters—providing users with a choice of proximity or privacy. Across the space, enclosure is thoughtfully layered at eye level. We set the height at 1350mm, avoiding any additional elements above eye level—allowing only a soft gradation of light and shadow, reminiscent of sunlight filtering through trees. By creating a horizontal division from the seated viewpoint, we aimed to establish both comfort and a cohesive spatial atmosphere.