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Nebra - The Discovery of Heaven

NorthernLight

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Bronze
Nebra Sky Disc surrounded by mirror object - NorthernLight
Nebra Sky Disc surrounded by mirror object - Sake Elzinga
Nebra Sky Disc - Sake Elzinga
Nebra Sky Disc surrounded by mirror object - NorthernLight

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
5.94
6.36
6.36
6.11
6.19
Ludmila Machado
Ludmila Machado Founder at Aurora Design
5.8
5.8
7.6
6
6.3
Mark Timo
Mark Timo Founder at De Interieur Club
6
6
6
6
6
Filip Milovanovic
Filip Milovanovic Design Director at Yabu Pushelberg
6
7
6
5.5
6.13
Weiping Lin
Weiping Lin Founder and Design Director at Lin Wei Ping Design Consulting
6
6
6
6
6
Luca Macri
Luca Macri Partner at Lamatilde
5.5
6.5
6.5
6
6.13
Michelle Smith
Michelle Smith Associate Designer at M Moser Associates
6
7
6
7
6.5
Terry Xu
Terry Xu Chief Designer at Masanori Design Studio
5
7
5
6
5.75
Drew Gilbert
Drew Gilbert Design Manager at OBMI
5.78
6.42
6.1
5.94
6.06
Apoorva Shroff
Apoorva Shroff Founder at lyth Design
6
6
6
6
6
Liyu Xue
Liyu Xue Founder and Creative Director at Staay
7
7
7
6
6.75
Marcel Häusler
Marcel Häusler Creative Director at Karl Anders
6
7
7
7
6.75
Alessandro Ranaldi
Alessandro Ranaldi Head of Workplace Consultancy at Foster and Partners
6
6
6
6
6
Llisa Demetrios
Llisa Demetrios Chief Curator at The Eames Institute of Infinite Curiosity
6
6
6.5
6
6.13
Isabelle Kievenheim
Isabelle Kievenheim Head of Store Development at & Other Stories H&M Group
7
7
8
7
7.25
Yuan Jiang
Yuan Jiang Cofounder at Soda
5
5
6
5
5.25
Yuanman Huang
Yuanman Huang Cofounder and Creative Designer at GS Design
5.98
5.98
6.09
6.3
6.09
Client
Drents Museum, Assen
Floor area
220 ㎡
Completion
2022
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Production
Lighting
Expo textiles
Audio design / composition

'The Nebra Sky Disc – The Discovery of Heaven' is designed by NorthernLight to create a contemporary “heavenly setting”. The scenographic concept for this archaeological exhibition has been conceived as a unique cross-over between exhibition and stage set. Visitors explore different scenes, while being immersed in an audio-visual trip that takes them back to prehistoric Nebra, where archaeologists found a spectacular sky disc featuring the oldest concrete depiction of astronomical phenomena known from anywhere in the world. Visitors go on a quest to answer the question why people have been interested in the starry sky for thousands of years. A spiritual and contemporary take on an “as if you where there” approach.

Innovation - Bronze Age transferred into the now.
In the design of the exhibition, the Bronze Age form language is transferred into the now. The colour range and physical shapes as well as the celestial bodies on the wall prints are derived from the shapes on the sky disk itself. Also the Nebra lettering is custom made to create an entirely coherent contemporary form language. Real footage and fantastic elements merge into abstract landscapes on the theatrical backdrops and serve as illustrations of the audio-visual story layer. The stage set is completed by abstract objects (a boat and jetty) that function as reminders of a mythical landscape.

Creativity - Prehistoric meets futuristic.
Prehistoric and futuristic meet eachother in this exhibition. Not just in reference to its design and content, but also regarding its location. The exhibition is hosted in the medieval abbey of the Drents Museum in Assen, Netherlands. Here, the Nebra disc is located inside the chapel on the spot of the former altar, restoring the religious significance it must have had thousands of years ago.

Functionality - A contemporary procession-like setup.
The exhibition is built up in three parts. The first is the introduction, where visitors step into a giant light circle to start the audio-tour. Afterwards they walk in a procession-like way through the scenographic landscapes framed by circle-round showcases with objects integrated in graphical dioramas. The disc is finally revealed in the climax of the exhibition. It is presented in a mirrored half-circle, reminiscent of ritual landmarks from the Bronze Age, like Stonehenge. The theatrical use of lighting, with gobo projectors and SFX lighting to mimic natural light settings like the northern light, are enhancing the overall atmosphere. A specially developed soundtrack is accompanying the audio-journey.

Sustainability – Simple and effective.
Sustainability is a core value at NorthernLight. The material choice and use is reduced to the bare necessities; the showcase blocks can be repurposed in the next exhibition. The traveling parts were integrated in a simple and seamless way. All audio-visual and lighting equipment has been obtained on a temporary rental basis and will be used for new exhibitions.