Wuzhong Duyusu Haggis, nearly forty years old, is now in its third generation at the helm. The owners came to us with crazy dreams, tried to build it any way they could, and finally presented it to the real world in a crazy powerful, transcendent form in a quiet town in the Northwest.

The team had long been determined to present a presence that was unparalleled in the region. The surface of these shaped blocks in the interior is plated with texture because the designers thought of the ripples of the Yellow River in the northwest of China, the rolling hills of the Helan Mountains, and also the strokes of power. This is the main line of the design.

Regular and irregular geometrical shapes are "interlocked" with each other, and the one-piece structure of the building has a staggered height, undulating changes, and the skin texture shows clear folds and boundaries as the façade twists and turns. The ceiling is spaced out from the façade at an appropriate distance, and the oblique form treatment is more conducive to capturing the dynamic growth and behavior of light, thus making the building a container of light.

The interpretation and creation of spatial language is the reflection of cultural vein and actual scene. Between this case and the city and life, it is like several mirrors facing each other, no need to resort to words and sounds, no need to describe the consensus, endless embedded shadows blurring the boundaries, intertwining the environment, and coexisting with new things.