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Mr. Duyusu

Republican Metropolis Architecture

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Bronze
The ceiling is spaced out at an appropriate distance from the façade, and the sloping form treatment is more conducive to capturing the dynamic growth and behavioral patterns of light, thus making the building a container of light. - Kaijian Lee & K&J VISION
This is the special way of partitioning the dining space. - Kaijian Lee & K&J VISION
Kaijian Lee & K&J VISION
The ceiling is spaced out at an appropriate distance from the façade, and the sloping form treatment is more conducive to capturing the dynamic growth and behavioral patterns of light, thus making the building a container of light. - Kaijian Lee & K&J VISION

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Restaurant
5.89
5.65
6.15
4.60
5.57
Gregory Melitonov
Gregory Melitonov Partner at Taller KEN
8
7
7
7
7.25
Melvyn Law
Melvyn Law Director / Principal Designer at Limelight atelier
7
7
6
7
6.75
Justin Donnelly
Justin Donnelly Creative Director at Jumbo
6
7
6
7
6.5
Ester Bruzkus
Ester Bruzkus Founder at Ester Bruzkus Architekten
7
7
6
6
6.5
Hamish Guthrie
Hamish Guthrie Founder and Director at Hecker Guthrie
7
7
6
7
6.75
Anna Gavrichkova
Anna Gavrichkova Founder at LEFT design
5
8
6
6
6.25
Golnar Roshan
Golnar Roshan Creative Partner at Rive Roshan
nice atmosphere and use of natural...
6
6
6
6
6
Patrick Keane
Patrick Keane Director at Enter Projects Asia
7
7
7
7
7
Natalie Badenduck
Natalie Badenduck Associate Professor at Mount Royal University
7
4
6
7
6
Nina Sickenga
Nina Sickenga Founder at MOSS
8
7
7
8
7.5

Wuzhong Duyusu Haggis, nearly forty years old, is now in its third generation at the helm. The owners came to us with crazy dreams, tried to build it any way they could, and finally presented it to the real world in a crazy powerful, transcendent form in a quiet town in the Northwest.

The team had long been determined to present a presence that was unparalleled in the region. The surface of these shaped blocks in the interior is plated with texture because the designers thought of the ripples of the Yellow River in the northwest of China, the rolling hills of the Helan Mountains, and also the strokes of power. This is the main line of the design.

Regular and irregular geometrical shapes are "interlocked" with each other, and the one-piece structure of the building has a staggered height, undulating changes, and the skin texture shows clear folds and boundaries as the façade twists and turns. The ceiling is spaced out from the façade at an appropriate distance, and the oblique form treatment is more conducive to capturing the dynamic growth and behavior of light, thus making the building a container of light.

The interpretation and creation of spatial language is the reflection of cultural vein and actual scene. Between this case and the city and life, it is like several mirrors facing each other, no need to resort to words and sounds, no need to describe the consensus, endless embedded shadows blurring the boundaries, intertwining the environment, and coexisting with new things.