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Monasty

Not a Number Architects

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Monasty Reception - Yiorgos Kordakis
Lounge - Yiorgos Kordakis
Restaurant area - Yiorgos Kordakis
Monasty Reception - Yiorgos Kordakis

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Hotel
8.07
7.94
8.58
7.89
8.12
Felipe Mora
Felipe Mora Founder and Creative Director at F05 Studio
What a design, looks effortless....
8
8
9
8
8.25
Serge-Laurent Haelterman
Serge-Laurent Haelterman Creative Director at Creneau International
A place where the past is in a sile...
8.5
8
9
7
8.13
Bernardo Tribolet Tribolet
Bernardo Tribolet Tribolet Head of Trend Scouting at The Swatch Group
Stunning design narrative. The mona...
8.5
8
9
8
8.38
Tessa Duste
Tessa Duste Cofounder at Makers of Sustainable Spaces
Very well done!...
8.5
8
9
8.5
8.5
Stephanie Akkaoui Hughes
Stephanie Akkaoui Hughes CEO at AKKA Architects
8
8
8
8
8
Stephanie Crombie
Stephanie Crombie Architect / Head of Sustainability at Morrow + Lorraine Architects
7.5
8
9
7.5
8
Hu Zhile
Hu Zhile Founding Partner and Design Director at WJ Studio
8
7.5
8
8.5
8
Edmond Huot
Edmond Huot Chief Creative Officer at Forward Media
Monastic minimalism meets zen luxe....
7.98
7.88
8.33
8.24
8.11
Gabriela Sanchez y Sanchez de la Barquera
Gabriela Sanchez y Sanchez de la Barquera Creative Chief Officer at Vlisco
8
8
8
8
8
Ellen Søhoel
Ellen Søhoel Interior Designer/CEO at XBD Collective
Great use of materials....
8
8.5
9
8
8.38
Jason Steere
Jason Steere MD Brand & Experience at The Social Hub
Beautiful design, serene and full o...
7.8
7.5
8
7
7.58
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Material
8.10
8.31
8.39
8.17
8.24
Serge-Laurent Haelterman
Serge-Laurent Haelterman Creative Director at Creneau International
A place where the past is in a sile...
8.5
8.5
8.5
7
8.13
Bernardo Tribolet Tribolet
Bernardo Tribolet Tribolet Head of Trend Scouting at The Swatch Group
The chosen materials are setting th...
8.5
9
9
8
8.63
Tessa Duste
Tessa Duste Cofounder at Makers of Sustainable Spaces
Beautifully combined old and new ma...
8.5
8
9
8.5
8.5
Stephanie Akkaoui Hughes
Stephanie Akkaoui Hughes CEO at AKKA Architects
8
8
8
8
8
Stephanie Crombie
Stephanie Crombie Architect / Head of Sustainability at Morrow + Lorraine Architects
7.5
9
8.5
8.5
8.38
Hu Zhile
Hu Zhile Founding Partner and Design Director at WJ Studio
8
8
7.5
9
8.13
Edmond Huot
Edmond Huot Chief Creative Officer at Forward Media
8.32
8.39
8.34
8.35
8.35
Gabriela Sanchez y Sanchez de la Barquera
Gabriela Sanchez y Sanchez de la Barquera Creative Chief Officer at Vlisco
8
8
8
8
8
Ellen Søhoel
Ellen Søhoel Interior Designer/CEO at XBD Collective
Great use of materials....
8
8.5
9
8
8.38
Jason Steere
Jason Steere MD Brand & Experience at The Social Hub
7.8
8
8.5
7.5
7.95
Felipe Mora
Felipe Mora Founder and Creative Director at F05 Studio
The mix of materials, installation...
8
8
8
9
8.25
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Hotel of the Year
8.85
9.08
9.15
8.29
8.84
Christophe Penasse
Christophe Penasse Cofounder at Masquespacio
Perfect example of how to reinvent...
9.45
9.06
9.36
8.27
9.04
Mark Bithrey
Mark Bithrey Founder and Creative Director at B3 Designers
Beautiful, it is a classic design....
9
9
9
8.5
8.88
Jason Steere
Jason Steere MD Brand & Experience at The Social Hub
8.47
8.86
8.76
8.76
8.71
Emma Maxwell
Emma Maxwell Founder at Emma Maxwell Design
I love this project. Evocative and...
8.44
9
9.14
7.89
8.62
Rosha Ehsan
Rosha Ehsan Head of Design at Gastronomica Middle East
Beautifully design space, great sel...
8.87
9.5
9.5
8.01
8.97
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Best Use of Material
8.17
8.47
8.55
8.24
8.36
Agata Kurzela
Agata Kurzela Founder and Design Director at Agata Kurzela Studio
8.1
8.5
8.39
8.17
8.29
Corey Martin
Corey Martin Principal Designer at Hacker Architects
I love how the design elevates the...
8.46
8.65
9.21
8.27
8.65
Miriam Zuurbier
Miriam Zuurbier Associate Partner and Creative Director at TANK
Beautiful translation or reference...
8.1
8.31
8.39
8.17
8.24
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
The use of Local Material in such l...
8.1
8.58
8.39
8.42
8.37
Chantal Vos
Chantal Vos Associate Partner at Kraaijvanger Architects
Material pallet combines byzantine...
8.1
8.31
8.39
8.17
8.24
Client
Marriott & Michaniki Perivallontos
Floor area
7000 ㎡
Completion
2022
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Furniture
Furniture
Furniture
Lighting
Lighting
Lighting
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Accessories
Accessories
Finishes
Finishes
Finishes
Accessories

Our design for Monasty draws inspiration from the thousand-year byzantine heritage of the city of Thessaloniki. The title of the second most important metropolis of the Byzantine empire is long lost but remains faintly evident in the numerous Christian orthodox temples of that era still standing in the historic centre of the city. The spirituality of those spaces is the magic that we tried to instill in the design of the new Autograph Collection hotel and at the same time merge an alternative sense of locality with the international brand of Marriott. 

The fact that the hotel site neighbours the only operating monastery inside the city centre which was rebuilt after the great fire of 1917 on the remnants of an older byzantine one, further informed our design. A mystic atmosphere throughout the common spaces of the 100-room hotel is achieved through an austere materiality and subtle use of natural and artificial lighting. The monastic experience is coupled with the high-end operation of a 5* hotel, making it a luxury refuge from the bustling city centre. 

The interior layout of the ground floor is organized on a stark symmetry of spaces with the bar taking centre stage in the central axis that emulates the nave of early Byzantine temples. This gesture gets amplified by the grandiose wooden ceiling that extends over the entrance to the front and over a secret garden to the back. Three majestic brass-coated chandeliers reminiscent of hanging candlesticks further accentuate the central axis inviting visitors to the bar as it becomes visible from across the street. The Byzantine weave pattern of the stone flooring runs from the covered plaza of the entrance to the lobby area unifying the exterior with the interior spaces. 

The reception area stands out with the juxtaposition of a black marble desk on a floor to wall monochromatic brick surface, further complemented with warm wood elements such as gridded partitions and shelving creating an imposing yet welcoming atmosphere. Right at the opposite side visitors get a view of the hotel’s restaurant. Decked out in an array of simple and warm materials its design takes cues from the menu's folklore and contemporary duality, creating a collage of traditional and historic references. 

Murky neutral shades used in Byzantine iconography inform the interior’s colour palette. At the same time, design elements that intensify the monastic references such as alcove shaped seating banquettes and domed ceilings are carefully combined while materials that celebrate craftsmanship such as weathered leather, woven rattans, brushed wood and smeared mortars create a rich tactile experience. Site specific paintings by artist Fikos depict the story of Thessaloniki in the form of Byzantine murals, while sporadically dotted light pendants that float throughout the space, complete the reverent ambiance.