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Marble Pavilion 2020 Guangzhou Design Week

C&C Design

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Trade-Fair Stand
6.83
6.67
7.08
4.75
6.33
William Barrington-Binns
William Barrington-Binns Director of Photography at WBB & Co.
8
8
9
6
7.75
Corien Pompe
Corien Pompe Chairman and Founder at Donna e Mobile
6
8
7
5
6.5
Anastasia Karandinou
Anastasia Karandinou Architect, Senior Lecturer at University of East London
8
8
8
6
7.5
Jasper Blüm
Jasper Blüm Senior Designer at Colliers
8
7
7
6
7
Bret Recor
Bret Recor Founder & Creative Director at Box Clever
8
7
8
6
7.25
Chen Xiaohu
Chen Xiaohu Cofounder and Brand Director at BloomDesign
7
6
6
5
6
Li Baolong
Li Baolong Cofounder and Creative Director at BloomDesign
6
8
7
5
6.5
Jason Traves
Jason Traves Chief Creative Officer at Lucky Fox
6
5
7
5
5.75
Joanna van der Linden
Joanna van der Linden Global Retail Identity & Design Manager at Nestlé Nespresso
6
5
7
1
4.75
Richard Parr
Richard Parr Founder at Richard Parr Associates
6
5
5
2
4.5
Johnny Chiu
Johnny Chiu Founder at J.C. Architecture
7
7
6
5
6.25
Stefano Giussani
Stefano Giussani CEO at Lissoni New York
6
6
8
5
6.25
Designer
Client
Guangxi Lisheng Stone Industry
Floor area
165 ㎡
Completion
2020
Design Diretor
Peng Zheng
Main Designer
Zhang Bo

We adopt steel mesh as a basic element to minimize the design language in a reticular structure, weaving this simple and clear construction into overlapped veils to form a visual effect delicately aligned with mobile views. Progressive layers of different thickness are like a mechanism from cells to tissues, from tissues to organs, then from organs to living bodies, inspiring the visitors’ metaphysical imagination. You can enjoy the view from two perspectives: from one side to the other and from the front to the within. If you begin your tour from the longer side, the rapid rhythm forms a symphony that chapters are independent but also related as integral parts of a linguistical construction. But to start your visit from the shorter side, you will enjoy the deepness of the showroom. Such a multidirectional expression makes the showroom extremely exquisite. We may interpret it in a contrast of the in-motion viewing and the in-position viewing: a not-so-large hall as it is, the showroom has its profoundness within. Externally, visitors’ in-motion view is limited, depriving the visitors of a so-called panoramic view and making the whole scene a tiny stage amidst the streets; but, internally, for the in-position viewers on the stage, their moves become interesting and inexplicit.