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Lovivo Gallery

Baicai

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Bronze
TOPIA VISION
Conversation between the interior with the ancient facade - TOPIA VISION
Grid system within the space - TOPIA VISION
TOPIA VISION

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Window Display of the Year
6.05
6.16
6.74
5.41
6.09
Vesma K. McQuillan
Vesma K. McQuillan Professor/ Head of TYP-0.Lab at TYP-0.Lab/ Westerdals Department of Creativity, Storytelling and Design/ Kristiania UC
6.05
6.14
6.58
5.38
6.04
Zen Zheng
Zen Zheng Design Director at Leaping Creative
powerful installation for the spac...
6.05
6.14
6.58
5.38
6.04
Talar Bardakjian
Talar Bardakjian Creative Director at ODG
I like the contrast between the old...
6.05
6.2
6.8
5.38
6.11
Carlos Virgile
Carlos Virgile Director at CV Design and Brands
There is a feel of Kubrick 2001 Spa...
6.05
6.14
7
5.5
6.17
Designer
Client
Foresail
Floor area
467 ㎡
Completion
2021
Budget
EUR 300,000
Lighting

How do we future? ”Every moment in the present leads to the future. In this era of numbers, the limitless 0s and 1s have soared towards infinity. The moment when information explodes is when we re-think and re-construct everything. The infinity and the sense of weightlessness, the civilization that crossed the gate."-

 — BaiCai Tech companies define the future. The rapid development of science and technology brought up a new infinite future to mankind. Technology companies are destined to be innovators and push the cutting edge. While no one can predict the end result of this innovation, it is the social obligation of tech practitioners to continuously evolve this unknown proposition. 

The core of this space less to do with beauty and more with the awareness of infinity and the power to explore the unknown. As such, the LOVIVO gallery is a concept conceived from the first two floor’s of a client’s office. It tinkers with the idea of technology making “the future” and “information explosion” its core. The space then expands to a series of ideas including: floating, volume, infinity, metallic, the unknown, and network. 

The project is located in Shenyang’s old district, inside the Huaiyuan Gate. It is next to the Shenyang Imperial Palace and is surrounded by historic buildings. The site occupies the first two floors of a very traditional Chinese building; the front door is long and narrow, blocking out natural light and making it optimal for exhibition use. 

We decided to match the natural spatial tension of the building with our concept to optimize the space. By transforming both horizontal walls into mirror surfaces, the illusion of an infinite space is created. By combining these mirrors with disorderedly placed steel elements, the ethos of a weightlessness information explosion takes over the concept. In doing this, the interior’s inherent disadvantages are optimized into a superior viewer experience. 

On the northern side of the first floor, there is are LED screes that serves 2 functions: display of the movement line and extending the feeling of “infinity” in conjunction with the mirrors. Among them, four pieces of each LED screen can be rotated. When closed, they depict a completely infinite space. After a 90 degree rotation, the LED walls open up, the moving lines are opened. In addition, they help present the stairs to 2F alongside the meeting rooms on 1F. The second floor is a lounge area for the client’s staff. 

The design continues the materiality of the first floor, as well as extending the intersection of shapes and the feeling of disorder. The lack of floor plan maximizes the amount of possibilities on how the space is used. The fragmented use of materials also reflects interaction between people and the concept. The space forges a field of faith where a message about technology, about reverence, and about the future is sent.