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K11 Art House Cozy Cottage

OFT Design

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Entertainment Venue
5.50
6.20
5.80
5.30
5.7
Jaime Velez
Jaime Velez Design Partner at Velez + Valencia Arquitectos
8.38
8.67
9.02
7.67
8.44
Yen Kien Hang
Yen Kien Hang Founder / Design Writer / Author at OutOfThePackage
I think I need something more. Even...
5
6
5
4
5
Firas Alsahin
Firas Alsahin Co-Founder and Design Director at 4SPACE Design
6
7
6
5
6
Elise Zoetmulder
Elise Zoetmulder Founder at Zoetmulder
Minimalist design to the bone, but...
6
6
7
4
5.75
Jason Su
Jason Su Design Director at HCD Impress
4.74
5.02
4.88
5
4.91
Ayça Doğan
Ayça Doğan Head of Design at CBRE Netherlands
8
8
8
6
7.5
Andres Fredes
Andres Fredes Creative Director / Partner at ALLDSGN
7
7
8
6
7
Carolin Krebber
Carolin Krebber Founder at Büro agata/ Co-founder Format F/ allmannwappner
5.95
6.24
6.24
6.67
6.28
Evans Lee
Evans Lee Founder & Design Director at Evans Lee Designers
6.5
6.8
6.8
6
6.53
Philippe Paré
Philippe Paré Principal and Managing Director at Gensler
7.26
7.21
7.55
7.36
7.35
Lin Chen
Lin Chen Founding Partner at Topos Design
5
7
6
5
5.75
Kristen Becker
Kristen Becker Partner at Mutuus Studio
7
7
7
5
6.5
Mohammed Adib
Mohammed Adib Chief Design Officer at Dewan
5.45
6.38
7.02
5.81
6.17
Designer
Client
UA Cinemas
Floor area
6034 ㎡
Completion
2019

With the development of "new retail", the traditional entertainment space represented by the cinema has entered a transitional period. In 2019, OFT design was invited to make a brand new storefront design for UA's new concept flagship cinema in Hong Kong K11 musea -- K11 Art House. In that experiment of space, OFT design created the first future cinema themed with snow mountain residence in Asia based on the concept of "design & new retail", which took the lead in providing reference model for the cinema as "recreational complex". How to create a cinema that attracts the resonance of different consumption circles for the top IP of cultural exhibition? Enabling the DNA of K11 Art and cultural retail to continue is the key. The model of multi-cultural living area of K11 musea brings new enlightenment for the incubation of future cinema: It needs to break out of the simplex consumption scene and introduce social intercourse, shopping, catering and art into the cinema. In K11 Art House, the OFT and UA made a breakthrough by introducing at least five consumption formats, including music store, open bar, exhibition space, performance center and personalized acquaintance social service, to construct a composite consumption scene. At the same time, in order to become an " recreational complex" in a real sense, not only should there be a spatial narrative framework constructed by new business logic, but also designers need to practice from multiple dimensions such as spatial situation and business aesthetics. In the aspects of spatial situation and its commercial aesthetic, the hustle and bustle in Hong Kong correspond to its open and inclusiveness, with multiple culture blending and growing here. Designers are familiar with the chemical reaction brought by strangeness, so they do the opposite in the design. They select distant land, the Swiss snow mountain fragments of life, carrying the traditional style on architecture into modern commercial space, to wake up the spiritual eagerness of Hong Kong residents to "natural life". By repeating architectural elements, the OFT combines and splices previously unrelated materials to form an integral space, completing the remodeling of humanity and nature in a new sensory balance. The existence of K11 Art House is a discussion about the commercial boundary and a practice on the solution to multi-dimensional scenario-based consumption. [Design & New retail] is bound to become the application trend and widespread standard of the future business scenarios. When the integration of business and culture are reconstructed, a new spatial order is also taking place.