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Jacqueline

Rockwell Group

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Ricardo Labougle
Ricardo Labougle
Ricardo Labougle
Ricardo Labougle

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Restaurant
5.68
6.30
6.50
5.43
5.98
Ludmila Machado
Ludmila Machado Founder at Aurora Design
5.4
5
5
5
5.1
Mark Timo
Mark Timo Founder at De Interieur Club
7
8
8
5
7
Weiping Lin
Weiping Lin Founder and Design Director at Lin Wei Ping Design Consulting
5
6
7
5
5.75
Apoorva Shroff
Apoorva Shroff Founder at lyth Design
5.94
6.42
5.86
5.7
5.98
Drew Gilbert
Drew Gilbert Design Manager at OBMI
5.94
6.02
6.1
5.86
5.98
Terry Xu
Terry Xu Chief Designer at Masanori Design Studio
7.5
7
8
6
7.13
Marcel Häusler
Marcel Häusler Creative Director at Karl Anders
5
7
8
7
6.75
Michelle Smith
Michelle Smith Associate Designer at M Moser Associates
5
7
6.5
5
5.88
Luca Macri
Luca Macri Partner at Lamatilde
5.5
6
6
5
5.63
Alessandro Ranaldi
Alessandro Ranaldi Head of Workplace Consultancy at Foster and Partners
6
6.5
7.5
5
6.25
Jai Kumaran
Jai Kumaran Partner at West of West
Baroque and ornate and kitsch. It's...
5
6
5
5
5.25
Llisa Demetrios
Llisa Demetrios Chief Curator at The Eames Institute of Infinite Curiosity
5.5
6
6.5
6
6
Yuan Jiang
Yuan Jiang Cofounder at Soda
5
5
5
5
5
Client
Sutton
Floor area
0 ㎡
Completion
2022
Finishes

A new restaurant in Barcelona takes inspiration from the extravagant, eccentric style of Jacqueline Roque, Pablo Picasso’s muse and second wife. Rockwell Group’s design for the three-story restaurant is driven by an abstraction of Picasso’s atelier and his love of entertaining, as well as four distinct portraits of Jacqueline. We mixed crafted, clean art nouveau details with spontaneous, graphic, and surreal imagery and forms.

The restaurant’s ground floor spaces, including the bar and main dining area, are inspired by Picasso’s “Woman in a Turkish costume seated in a chair” (1955). Here, Jacqueline is shown wearing an odalisque costume, depicted as “a woman of the harem.” It’s a colorful, sensual portrait in reds, yellows and blues.

The second floor was influenced by Picasso’s “Jacqueline with Flowers” (1954), a portrait of Jacqueline in a crouched, “Sphinx-like” position on a red sofa, her figure shown in profile to accentuate her long neck and almond-shaped eyes. Flowers and greenery appear in the background.

The club in the lower level is a nod to Picasso’s “Woman in a Mantilla Red Background” (1959), which depicts Jacqueline in a traditional black lace shawl over her head and shoulders against a bright red backdrop.

For the main dining room, we were inspired by the palm trees outside of Picasso’s original atelier in Barcelona—he loved the trees so much that when they were taken down during a construction project, he moved to a different studio.