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House LG

Deferrari Modesti

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
House
5.94
6.94
7.00
5.82
6.43
Tetsuya Matsumoto
Tetsuya Matsumoto Head Architect at KTX archiLAB
5
6
5
6
5.5
Florian Seidl
Florian Seidl Design Manager at Lavazza
Nice living space on separate level...
6
7
9
6
7
Simona Franci
Simona Franci Principal and Design Director at Fortebis
7
7
7
6
6.75
Royce Epstein
Royce Epstein Design Director at Mohawk Group
Charming project that seems very li...
7
7
8
6
7
Judith Haase
Judith Haase Architect at Gonzalez Haase AAS
5
6
5
6
5.5
Julie Payette
Julie Payette Cofounder and Partner at v2com newswire
6
7
7
6
6.5
Shannon Pringle
Shannon Pringle Interior Designer at Bernardon
7
8
8
7
7.5
P.C.Ee
P.C.Ee Editor & Creative Director at industry+
5
7
5
6
5.75
Matteo Renna
Matteo Renna Founder at matteorenna | studio
7
8
8
6
7.25
alberto caiola
alberto caiola Design Director at Alberto Caiola Studio
6
6
7
6
6.25
Justin Bridgland
Justin Bridgland Founding Partner at More Design Office
I like the teak and blue contrast....
5
7
5
6
5.75
Jelle Sapulete
Jelle Sapulete Design Director at Adidas
5
6
5
5
5.25
Vicki Spielmann
Vicki Spielmann Group Creative Lead, Head of Brand Experience at Google
Love the unique use of perforated m...
7
9
10
5
7.75
Nic Lee
Nic Lee Design Director at Waterfrom Design Co., Ltd
5
8
7
6
6.5
Puri Lighting Design
Puri Lighting Design Design Director at Beijing Puri Lighting Design
7
6
9
5
6.75
Lauren Touhey-Otto
Lauren Touhey-Otto Head of Design at Kinzo Architekten GmbH
7
7
9
6
7.25
John Allsopp
John Allsopp Architect at John Allsopp Studio
4
6
5
5
5
Location
Client
private
Floor area
170 ㎡
Completion
2020

The project involves the interior spaces of a villa situated in the lush hilly context that, developing behind the city of Prato, opens up to the view of the Florentine plain and the mountains of Calvana. The studio has created a domestic environment that plays with the differences in height present in the valuable original building of the 1980s to create an interior characterized by lively and detailed spatial connections but also, at the same time, able to define autonomous zones each enjoying its own privacy. The sophisticated spatial connection that characterizes the project is not only accomplished through interventions on the structure of the walls. It is in fact the design of an integrated furnishing system that connects different areas of the house, giving each one its own identity. The living area consists of four large connected areas: the living room, the reading and music corner, the dining room and the kitchen. The piece of furniture therefore performs various tasks: it is a bench, a container, a music record display, a bookcase, a divider between different areas. The cabinet is made of open-pore ash wood lacquered in blue, to highlight not only the color but also the veins of the material. It has inserts and open elements in matt lacquered wood with a touch of electric blue. The bookcase, which is the focal point of the room, is made of teak wall panels. Horizontal milling helps to integrate the shelves made of painted sheet steel which give a sense of lightness and solidity. The cabinet under the bookcase, with concealed drawers, acts as a bench and container. An element, designed to store music records and to put a selection on display, acts as a divider with the dining area. The staircase is the real fulcrum of the house, the point where the different levels are connected, highlighting the various passages of altitude. The staircase becomes a sort of micro-architecture inside the house, a playful space to live in. Circulation element, but also rest area, reception area, container cabinet, filter and separation device, frame for climbing. Like other furnishings, the staircase also offers elements of surprise; gradually, as it unfolds, the structure becomes lighter and changes its appearance. The first ramp consists of a monolithic wooden element faced in teak, an element that anchors the staircase to the ground and invites one to walk down it safely. While in the second ramp the staircase seems to dematerialize thanks to the slender powder-coated iron structure, up to the last portion where the staircase is made of painted perforated sheet metal. The staircase, from being extremely solid, becomes permeable to light and movement and, as it ascends, it almost seems to float in a void.