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Hayama Huts

Key Operation Inc. / Architects

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Bronze
Courtyard - Shigeo Ogawa
Dining and Kitchen - Shigeo Ogawa
Site location - Shigeo Ogawa
Courtyard - Shigeo Ogawa

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
House
5.21
6.18
5.41
5.12
5.48
Christopher Lye
Christopher Lye Principal at Woods Bagot
4.5
6
5
4
4.88
Norman-Henner Plattner
Norman-Henner Plattner Head of Store Development at The KaDeWe Group
6
6
6
5
5.75
Agata Kurzela
Agata Kurzela Founder and Design Director at Agata Kurzela Studio
4
7
5
5
5.25
John Lam
John Lam Co-Founder and Design Strategist at State of Culture
The villa design blends functionali...
5.88
6.36
6.55
5.2
6
Tessa Mansfield
Tessa Mansfield Chief Creative Officer at Stylus
4.5
6
5
5
5.13
Andras Klopfer
Andras Klopfer Managing Partner at BWM Retail
5.5
6
5
5
5.38
Victoria Schneyer
Victoria Schneyer Global Head of Store Design at Hugo Boss
The flow of the house with the poss...
5
6.5
6
5
5.63
David Wei
David Wei Cofounder and Design Director at Hatch Architects
5.49
5.49
4.72
5.11
5.2
Gokhan Avcioglu
Gokhan Avcioglu Principal and Founder at Global Architecture Development
5
7
5
5
5.5
Lene Utbjoe
Lene Utbjoe Discipline Lead at Henning Larsen
5
6
5
5
5.25
Eric Wang
Eric Wang Head of Marketing and E-Commerce APAC at Duravit
6.35
5
7.1
6.24
6.17
Benjamin Iborra Wicksteed
Benjamin Iborra Wicksteed Partner and Creative Director at Mesura
5
7
5
6
5.75
Leilei Wu
Leilei Wu Partner at F.O.G. Architecture
5.5
6
5
5
5.38
Floor area
309 ㎡
Completion
2022
Budget
confidential
Social Media
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Accessories
Sanitary
Lighting

A villa fronting a private drive is a three-minute walk from Isshiki beach. The Hayama area was a fishing village up until the Edo Period, but resort construction began there in the Meiji Era for the Emperor, Imperial lineage, and renowned people. Houses line the narrow lanes remaining from fishing village times. Since property steps downhill from the north to south, southside properties are in plain view from the north.

The layout settled on five separate volumes that were not imposing to adjacent houses. volumes are placed around a courtyard hosting the swimming pool and opening southward to the ocean. The building heights generally align with interior functionality, but are set in relation to neighbouring residences and roof pitch adjusted accordingly. The single-pitched roof of the Dining volume is brought to a low building height for the yard of the house to the northwest. A steep pitched roof for the Living volume affords both courtyard privacy and ocean views for the house close to the northeast property boundary. The roof of the Bedroom volume is pitched downward towards the courtyard for healthy maintenance of the large camphor tree.

The gaps between the volumes comprise corridors leading to the periphery from the courtyard and provide passages of light and breezes. The connector role between volumes belongs to the pergola with galvanized steel louvers. The pergola covers the southside decking of the Dining volume to buffer the environment, and fits between the buildings as shading for the skylights.

The client’s wish at the initial planning stage was to build a simple hut, but the scale of the villa increased over the design phase as functionality increased. Nonetheless, the complex of small buildings harmonizes like a village to blend with the vista of Isshiki’s seaside landscape with deference towards its neighbours.