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GreenMonster Lab

BANDe Architects

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
6.69
5.85
7.46
6.15
6.54
Jaycee Chui
Jaycee Chui Founding partner at More design office
5
3
5
5
4.5
Florian Seidl
Florian Seidl Design Manager at Lavazza
Love the wooden structure!I It's re...
7
7
9
7
7.5
Simona Franci
Simona Franci Principal and Design Director at Fortebis
Perfect combination of wood and col...
7
7
9
7
7.5
Royce Epstein
Royce Epstein Design Director at Mohawk Group
Love the use of materials to distin...
7
7
8
6
7
Julie Payette
Julie Payette Cofounder and Partner at v2com newswire
Beautiful different spaces atmosphe...
8
6
9
7
7.5
Tetsuya Matsumoto
Tetsuya Matsumoto Head Architect at KTX archiLAB
7
6
7
6
6.5
Justin Bridgland
Justin Bridgland Founding Partner at More Design Office
6
5
7
5
5.75
alberto caiola
alberto caiola Design Director at Alberto Caiola Studio
7
6
8
7
7
Shannon Pringle
Shannon Pringle Interior Designer at Bernardon
7
6
8
7
7
Matteo Renna
Matteo Renna Founder at matteorenna | studio
7
7
8
6
7
Judith Haase
Judith Haase Architect at Gonzalez Haase AAS
7
6
7
7
6.75
Jelle Sapulete
Jelle Sapulete Design Director at Adidas
7
6
7
5
6.25
P.C.Ee
P.C.Ee Editor & Creative Director at industry+
5
4
5
5
4.75
Client
Zhejiang Zhichu Wuxian Culture Media Co. LTD
Floor area
4957.3 ㎡
Completion
2019

It consists of a set of wooden structures, defined as a traditional cultural pavilion, used to display traditional cultural relics from around the world. We use "wood structure" that best represents Chinese architecture to showcase the world's traditional culture. The classiness brought by the wooden structure makes the area an astounding starting chapter for the spatial sequence that follows, presenting a gorgeous feast for the expansion of the overall space. The form of the exhibition includes the exhibition wall, the exhibition stand, and the ground. It features both the grandeur of an “exhibition hall” and the liveliness of a “market”. Craftsmen shop is the second sequence of the overall space, which consists of five sets of stencil-covered units, each of which has an on-site structural column and can be dedicated to two dealers. We put the functional display of merchant and the tricky columns in each stencil-covered unit. The visuals are neat building spaces and looming merchant staff inside the unit. Each stencil installation is a ground for the "artisan" spirit. The placement of the five stencil unit in the relative to each other in the area creates an effect of street and ally, which enables visitors and dealers to have a better place for communicating, exchanging, and learnings. Le flottant consists of eight sets of manual workshops and two sets of leisure units. The architectural space presented is a row of imposing manual workshops and a neat casual Le flottant.