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Getty Images Photo Exhibition

Design Midum

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World of Modern Reportage: Makes it seem like the audience is seeing the photographs and notebook on the author’s desk through CCTV. - CFC
Section 6 - CFC
Chronology of solidarity: Produces the depth of infinite space and the ambiguity of space by attaching a reflective material on the floor and on the wall on both sides to induce. - CFC
World of Modern Reportage: Makes it seem like the audience is seeing the photographs and notebook on the author’s desk through CCTV. - CFC

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
7.35
7.85
7.65
6.27
7.28
Sandra Adrian Asplund
Sandra Adrian Asplund Creative Director at Asplund Collection Stockholm
7.02
8.42
7.44
5
6.97
Frederik Bellermann
Frederik Bellermann Strategic Marketing Manager at Wilkhahn Wilkening+Hahne
7.1
7.17
7.17
6.02
6.87
James Dilley
James Dilley Director | Head of Hospitality and Interior Design at Jestico + Whiles
7.17
7.24
7.24
5
6.66
Guillermo Blanco
Guillermo Blanco Design Director at Worldesignteam
7.04
7.66
7.49
6.09
7.07
Paulo Rocha
Paulo Rocha Partner at  KPMB Architects
7
8
7.5
5
6.88
Ricardo Seola
Ricardo Seola Creative Director and Photography Professor at Ricardo Seola and NABA Milano
7.6
7.88
8.24
7.1
7.71
Nathan Allen
Nathan Allen Head of Global Sustainability Programs & Partnerships at Google
6.73
7.42
7.12
5.78
6.76
Luisa Norbis
Luisa Norbis Interior Designer and Journalist at Luisa Norbis
The exquisite light plus the combin...
8
8.98
8
8.07
8.26
Ava Watson
Ava Watson Multidisciplinary Designer at Ava Watson
7.74
7.67
8.17
6.38
7.49
Virginia Lung
Virginia Lung Design Director at One Plus Partnership
7.27
8.02
7.7
6.81
7.45
Wang Xiaodong
Wang Xiaodong Principal at Zhejiang University Architectural Design and Research Institute
8.13
7.88
8.08
7.74
7.96
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Exhibition of the Year
7.35
8.13
7.65
6.27
7.35
Christian Lungershausen
Christian Lungershausen Co-Founder & Creative Director at Hielscher Lungershausen - BEYOND DISCIPLINES
The power of photography in a great...
7.35
9.24
7.65
6.27
7.63
Sabine Krieg
Sabine Krieg Dean of the design faculty at University of Applied Sciences Düsseldorf
7.35
7.85
7.65
6.27
7.28
Karen El Asmar
Karen El Asmar Architect & Interaction Designer at Tech
7.35
7.85
7.65
6.27
7.28
Natasha Greenhalgh
Natasha Greenhalgh Co-Founder & Creative Director at Nxt Museum
7.35
7.85
7.65
6.27
7.28
Ray An Chuang
Ray An Chuang Executive VP & Managing Partner at Cheng Chung Design
7.35
7.85
7.65
6.27
7.28
Client
Hankyoreh
Floor area
1100 ㎡
Completion
2021
Social Media
Instagram
Finishes

Getty images - Moving the World with Images

The ‘Getty Images Photographs: The Era of Records’ is a photo exhibition featuring 330 photographs and videos selected out of more than 400 million images and 12 million videos from the Getty Images collection of images from all over the world. It was planned to show the chronicles of mankind repeating numerous stories and incidents, and the solidarity of mankind sharing happy or sad events while hoping for a better tomorrow from the time photographs started to document the history of humanity.

 In order to express this meaning through the exhibition, the exhibition hall was designed with the theme ‘space indulgence’ against the setting of “Maurice Merleau-Ponty Phenomenologie de la Perception’. Thus, ‘space indulgence’, space experienced by an audience in a retrospective way, is a spatialization of the thought that not only is the present time accompanied by the past but the time of the predictable future is not fixed but constantly changing due to relations. 

The audience faces two spaces when they enter the exhibition hall. The first space, space indulgence through ‘continuous perspective indulgence’, is a flow of the exhibition formed to allow the audience to search for their memories in the focused banquet of archived images held by Getty Images and the background of the images. In the other exhibition space, the ambiguity of space is presented so that the audience can face internal emotions within the images through visual experience by mixing the images and videos of decalcomania-like historical events with those of everyday life during the pandemic era. 

It was designed to make the audience imbibe the visual perception of the images to perceive past memories and the present, and the future to come.