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Gemmyo

Fumihiko Sano Studio

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Single-Brand Store
6.35
6.40
6.50
6.50
6.44
Donald Strum
Donald Strum President at Michael Graves Design
I don't get a sense of it being jew...
6
6
6.5
6
6.13
Yuko Tsukumo
Yuko Tsukumo General Manager at Nikken Sekkei
6
6
6.5
7.5
6.5
Alexander Fehre
Alexander Fehre Founder at Studio Alexander Fehre
6.5
6
6.5
6.5
6.38
Sabine de Schutter
Sabine de Schutter Founder and CEO at Studio De Schutter
The use of indirect lighting within...
7
7
7.5
6.5
7
Kaan Alpagut
Kaan Alpagut Design Manager, Workplace Experience at The Lego Group
6.5
7
6.5
6.5
6.63
Wenke Lin
Wenke Lin Founder and Design Director at BDSD Boundless Design
It combines the brand with local cu...
7
6.5
6
7
6.63
Hilda Impey
Hilda Impey Creative Partner and Founder at Hilda Impey Studio
6.5
6.5
6.5
6.5
6.5
Monika Choudhary
Monika Choudhary Cofounder and Creative Director at Habitat Architects
6
6.5
6.5
6.5
6.38
Maud Capet
Maud Capet Associate Principal - Interior Design at OBMI
6
6.5
6.5
6
6.25
Robben Bai
Robben Bai Founder at Roarc Renew Architects
6
6
6
6
6
Client
Gemmyo
Floor area
90 ㎡
Completion
2024
Social Media
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Design for the first store in Japan for GEMMYO, a Parisian jewelry brand.
Aiming for a fusion of Japanese and French styles, we designed the store to combine design elements from each region while avoiding specific decoration, such as octagonal cedar columns reminiscent of columns with a marble ceiling and French he ribbon flooring.

In addition, the columns were positioned to create a nested structure by hanging post and beam within the space, allowing the interior to stand on its own. By structuring the plan with these pillars as visual boundaries, the relationship between structure and interior space, which is inherent in
Japanese architecture, is reproduced.

The facade is decorated with custom-made Kyo Karakami paper, which has been made in Kyoto for over 300 years, and textiles from Nishijin brocade.
The main display of jewelry is placed on a pedestal made of broken and polished Rokko stones, expressing the image of rough stones being dug out of the earth and polished to become jewe