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Fusion • Danilo Paint Showroom

Jingu Phoenix Space Planning Organization

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
6.42
6.17
7.25
5.50
6.33
Jaycee Chui
Jaycee Chui Founding partner at More design office
7
6
9
7
7.25
Florian Seidl
Florian Seidl Design Manager at Lavazza
Great setting to showcase different...
5
8
7
4
6
Royce Epstein
Royce Epstein Design Director at Mohawk Group
Beautiful space. Not sure of progra...
7
5
7
4
5.75
Julie Payette
Julie Payette Cofounder and Partner at v2com newswire
Like the palette of colors...
7
5
6
5
5.75
Tetsuya Matsumoto
Tetsuya Matsumoto Head Architect at KTX archiLAB
6
6
8
5
6.25
Matteo Renna
Matteo Renna Founder at matteorenna | studio
Really nice space with interesting...
6
7
8
6
6.75
Shannon Pringle
Shannon Pringle Interior Designer at Bernardon
8
8
7
8
7.75
Judith Haase
Judith Haase Architect at Gonzalez Haase AAS
5
6
6
5
5.5
Jelle Sapulete
Jelle Sapulete Design Director at Adidas
5
5
5
5
5
Simona Franci
Simona Franci Principal and Design Director at Fortebis
Interesting space, calm and well...
7
7
8
6
7
Justin Bridgland
Justin Bridgland Founding Partner at More Design Office
Some beautiful moments. The colors,...
7
5
8
5
6.25
P.C.Ee
P.C.Ee Editor & Creative Director at industry+
7
6
8
6
6.75

In the artistic hall, the floor shows the patterns of Yin and Yang. The part of Yin is embodied by a pool in a concave shape. Beside it, the curved wall with an opening and the thick white stone wall are interconnected. In the fair-faced concrete area, the arched door opening structure is interpenetrated with the step block, on which a sphere stands silently. The wall of the passage adopts H-shaped patterns and is finished with light beige sandstone-textured paint. The geometric structure of the negotiation area is extended through the plain and simple color scheme of black, white and gray as well as the slanting block of the ceiling. The linear frosted glass skylight brings daylight in and enhances the transparency of the space. The circular opening on the vermillion-painted curved wall is visually connected to the spatial structures inside. With orange walls, long wooden tables and benches, the resting area brings people into an elegant and calming world. Making use of the pre-existing round column in the passageway, the designers outlined a deep linear black slit on the ceiling, which extends to the sample display area and merge with the dark concave of the ceiling. In the sample display area, the samples are deliberately displayed in an obliquely embedded manner and show staggered yet unique arrangement, which is futuristic. The counter features segmentation and juxtaposition of parts, echoing with the diversified sample modules.