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D9 Artsy Office

IMPLMNT Architects

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Total
JURY VOTES
Large Office
5.71
6.87
6.21
6.50
6.32
Anthony Gargiulo
Anthony Gargiulo SVP Design Innovation and Transformation at Compass Group
Unique office space that does a gre...
6.14
6.23
8.13
6.31
6.7
Jing Ju
Jing Ju Senior Designer, Global Creative Visual Merchandising at Tiffany & Co.
5
8
6
8
6.75
Karim El-Ishmawi
Karim El-Ishmawi Managing Director and Cofounder at Kinzo
Very careful handling of the existi...
4.48
6.16
6.44
7.75
6.21
Wayne Turett
Wayne Turett Founder and Principal at The Turett Collaborative : Architecture and Interior Design
Adaptive reuse is fundamentally a s...
7.64
7.75
5.93
7.86
7.3
Valentina Mariani
Valentina Mariani Journalist and Art Curatour at Valentina Mariani
6.02
7.21
6.47
7
6.68
Pinar Harris
Pinar Harris Vice President and Principal at SB Architects
6
8
6
8
7
Jacques Chevrant
Jacques Chevrant UX Lead and Architect at Revalu
The interior architecture seems lar...
5
6
5
5
5.25
Cheng Gong
Cheng Gong Studio Director China at Snøhetta
5
6.7
6
6
5.93
Gerrit Vos
Gerrit Vos Founder and Creative Director at Workshop of Wonders
The mix of the art and furnishing c...
5
7
5
5
5.5
Alex Yang
Alex Yang Partner and Creative Director at MOC Design Office
5
7
5
6.7
5.93
Hilde Francq
Hilde Francq Founder at Francq Colors Trend Studio
6.94
6.74
7.22
5.88
6.7
Andreas Weidner
Andreas Weidner Head of Retail at Silhouette Group
6
6
7.5
4.5
6
Sheng Wang
Sheng Wang Founder and Design Director at Informal Design
6
6.5
6
6.5
6.25
Client
Equite
Floor area
2314 ㎡
Completion
2023
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Architecture

In Vilnius, Lithuania, the newly renovated D9 Artsy Office, designed by IMPLMNT architects, offers a captivating blend of history and modernity. This architectural gem now houses nearly 200 pieces of contemporary art from the esteemed Lewben Art Foundation collection. Beyond its artistic significance, D9 Artsy Office marks a distinctive milestone as Vilnius' first publicly accessible business office, open for guided tours.

D9 Artsy Office, a building that exudes history, saw its genesis at the end of the 19th century in 1890. It was an era defined by Lithuania's modern secessionist period, and the original design bore the signature of architect V. Polozov. A single-story residential house with its brick walls, plastered facade, and a tiled roof, the building started its journey—a journey that would embrace and reflect Lithuania's rich cultural tapestry.

Back in 1996, the building was included in the Register of Cultural Valuables of the Republic of Lithuania for its historical and architectural value, including valuable authentic elements that had been restored and preserved. The façade has remained almost unchanged since the beginning of the 20th century, and is one of the most striking legacies of modern architecture in today’s Vilnius. The interior of the building displays preserved polychrome paintings on ceilings and walls, mouldings, the carpenter-made doors and window frames. Fragments of oak parquet have also been expertly retained. The building’s new annex is interesting in terms of its spatial impact, in particular, the creation of a central glazed roof in the atrium.

Once the current owner of the building had decided to exhibit art from a private collection here, an interesting fusion of art and office space was born, inspiring the Artsy Office name. Even though the collection consists exclusively of contemporary works of art, immeasurable attention has been given to preserving the authentic historical and architectural value of the building. In common with the building itself, the interior concept consists of two parts. In the old part of the building, where authentic historical layers of polychrome painting and plaster work have been uncovered, the soul of the building being created, resides in that of a museum. The glazed atrium in the new part of the building generates an impression of space, and serves as a dramatic gallery. Although the concept of a museum is usually associated with an extremely well-groomed, clean space, in this case, it was decided not to paint over the history, but rather to showcase the original, authentic fragments. In the gallery section, the space is created using canonical principles – a clean, bright, regular space that is dedicated to works of art, and so, the surrounding environment does not distract from its valuable contents.

Image Credit: Darius Petrulaitis
Video Credit: Tomas Vilys