The 563-suite hotel, located in the heart of NYC, exudes calm and elegance, reminiscent of the upscale Midtown residence of a contemporary art collector, with an emphasis on art throughout the property. While the décor is sleek and modern, it aims to achieve a timeless feel. Upon entering the hotel, guests are immediately transported from the hustle and bustle of Midtown to a grand yet serene lobby space. Here, they are greeted by a large, lifelike sculpture, Leda and the Swan by Carole A. Feuerman, which was acquired by the hotel. Museum-style lighting contrasted with dark surrounding walls highlights this special piece while emphasizing it as a gallery space. Design features of the hotel lobby include oak-paneled walls accented by custom cast fluted panels layered with blue woven drapery cascading down from the soaring 21-ft ceilings. Stretching above the Sahara Noir Marble monolithic reception desk is a custom lighting installation made of brass and hand-blown glass orbs. Tucked directly next to reception is a small concierge nook with a teal sofa and black sculptural marble coffee tables. To the right of the hotel’s entry is an intimate library nook, with a curated selection of art and mythology books lining the shelves. Additional lounge areas are found in the mezzanine, overlooking the lobby and feature artwork by contemporary British artist Amy Judd. Guest suites feature luxurious textures and materials in a neutral palette, such as herringbone wood floors, hand-tufted wool rugs, leather dining chairs and a sleek coffee table with sculptural brass legs. The all-suite rooms provide guests the sense of being in a private pied-a-terre, consisting of separate living and sleeping spaces. The Conrad also features a collection of premium accommodations, including four apartment-style suites, six sky suites, one atrium suite and one penthouse suite. Sky Suites are modern and sleek, designed as a nod to the nearby ivy league clubs with a scholarly and well-connected resident in mind. The open concept suite incorporates a study, dining, and living rooms. The one-of-a-kind Atrium Suite draws inspiration from nearby Central Park with pale pink, dark green, blue and grey toned furniture against light oak wood flooring mimicking the passing of seasons. The main living room is housed within a glass greenhouse-like space, revealing stunning views of Manhattan. The 53rd and 54th floors are home to a split-level Penthouse Suite. On the suite’s first floor is the living space, featuring artwork by Joan Miro, Alexander Calder, and Francoise Gilot, which also doubles as an event space. Ascending the central staircase, guests enter the upstairs bedrooms’ with a more restrained with a sleek and monochromatic palette. Seven-foot-high windows provide unobstructed views of downtown Manhattan.