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Central Tower Family Office

A Work of Substance

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The mid-century avant-garde of a boutique family office; paying homage to a time when design embodied both restraint and indulgence. - Dennis Lo
Fluted, vibration-finished stainless steel and oak cladding; 1956 Poul Kjærholm pk22 Chair. - Dennis Lo
1955 Pierre Jeanneret Teak and Cane bench and the Kinema lantern by A Work of Substance. - Dennis Lo
The mid-century avant-garde of a boutique family office; paying homage to a time when design embodied both restraint and indulgence. - Dennis Lo

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Total
JURY VOTES
Small Office
8.10
8.25
8.10
7.80
8.06
Alexandra Cantacuzene
Alexandra Cantacuzene Director of Interior Design at Al Futtaim Real Estate Group
Interiors of this office translate...
8
7.5
8.5
8.5
8.13
Paolo Torri
Paolo Torri Exhibition Design Manager at Pedrali
8
8.5
8
8.5
8.25
Peter Greenberg
Peter Greenberg Partner at Ester Bruzkus Architekten
A palette of rich materials makes t...
9
9
9
7.5
8.63
Ethan Yao
Ethan Yao China Resources Land at Deputy General Manager and Chief Architect of Design Management
8.5
7.5
8
7.5
7.88
Ray Chou
Ray Chou Founder and Creative Director at Vermilion Zhou Design Group
7.5
7.5
7.5
7
7.38
Clemence Pirajean
Clemence Pirajean Cofounder at Pirajean Lees
8
9
8
8.5
8.38
Ina Nikolova
Ina Nikolova Partner & Senior Project Manager at Kinzo Architekten
8
8.5
8
7.5
8
Ali Mohammadioun
Ali Mohammadioun Founder at E plus A Atelier
8.5
8.5
8
8
8.25
Vandana Dhawan Saxena
Vandana Dhawan Saxena Founder and Design Principal at Studio IV Designs
A richly layered, well detailed, an...
8
8.5
8.5
7.5
8.13
Paul Birkhead
Paul Birkhead Cofounder and Creative Director at Syn Retail
7.5
8
7.5
7.5
7.63
Client
Confidential
Floor area
345 ㎡
Completion
2023
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Furniture

Tasked by a return client to reimagine a workspace within an inherited floor plan that limited communal access to natural light, we redefined office conventions by embracing constraints as opportunities. Glass brick partitions became a key language, diffusing daylight into shared spaces while preserving privacy. Fluted glass and reflective stainless steel further distributed non-intrusive luminosity, revealing movement without disruption. Circular motifs embrace mid-century modern geometry, harmonising the client's aesthetic preferences while softening the space. A custom timber wall framing system accommodates the client's art collection, allowing flexible curation while maintaining alignment. Integrating terrariums with resilient, local Ficus species provide verdancy while purifying the air through a natural filtration system. Syncing with circadian rhythms, the lighting shifts to emulate the transitions of the day, creating a self regulating environment that aligns with the body's internal clock.

Collaboration with local artists, designers, and a botanist reflect Hong Kong's cultural and environmental context. Custom parquetry flooring and furnishing honours regional artistry, while the terrarium's natural filtration system—nurturing native ficus, fern, and moss species—became a metaphor for the city's resilience and adaptability. A pavilion-inspired framework negotiates transparency and seclusion, echoing Hong Kong's contrast between public and private life, holding community at its core. Finally, the family crest anchors the family's legacy, embodying their identity through an execution that carries their values. The office is a living narrative of a family's journey, in a space that is both purposeful and deeply personal. Legacy and locality converge to prioritise well-being, sustainability, and cultural authenticity without compromising functionality.