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BWFLS Starlight Theater

Formless Architects

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Learning Space
4.57
5.50
4.50
4.36
4.73
Yanfei Li
Yanfei Li Founder and Design Director at 8877 Interiors
4
5
3
3
3.75
Alexander Fehre
Alexander Fehre Founder at Studio Alexander Fehre
4
6
4
4
4.5
Julian Lwin
Julian Lwin Spatial Design Director at Lwindesign + StreetFarms USA
I appreciate the undulating acousti...
5
5
5
5
5
Benjamin Kaplan
Benjamin Kaplan Design Director Global Brand Experience at Nike
3
5
5
4
4.25
Ekaterina Elizarova
Ekaterina Elizarova Founder and Creative Director at Elizarova Design Studio
3
6
4
4
4.25
Jump Lee
Jump Lee Design Director at One fine day studio & partners
3
5
2
2
3
Karol Suguikawa
Karol Suguikawa Creative Director at Karol Suguikawa Design
7
5
5
5
5.5
Studio Lotus
Studio Lotus Architect and Interior Designer at Studio Lotus
3
5
4
4
4
Jayati Sinha
Jayati Sinha Physical and Digital Experience Designer at Fjord @ Accenture
5
7
5
5
5.5
Alberto Martinez
Alberto Martinez Sales Manager of Central Europe at Andreu World
6
6
6
5
5.75
Marjan van Aubel
Marjan van Aubel Solar Designer at Marjan van Aubel Studio
5
6
5
5
5.25
Olga Sundukova
Olga Sundukova Cofounder at Sundukovy Sisters
4
5
5
5
4.75
Andrew Mcmullan
Andrew Mcmullan Director at Mcmullan Studio
4
4
3
3
3.5
Julien Sebban
Julien Sebban Architect at Uchronia
8
7
7
7
7.25
Client
Baoshan World Foreign Language School
Floor area
630 ㎡
Completion
2020
Director
Designer

Performance classes are very important for primary school education. Children learn how to express themselves from standing on the stage. The school theater, as a place for students to practice and present their performances, should be an attractive and memorable place for children to learn and grow between the rise and fall of the curtain. Taking musical melody as the concept, we envision a vibrant performance venue with the melodious rhythm of music. The overall space strikes a delicate balance between the solemnity of formal performance and the liveliness that can inspire a flash of light on performance creativity. In terms of design techniques, first, we adopted the curved GRG ceiling to sculpt the fluidity of the space. Thereafter, we used the curved lines of the wall to enhance the rhythm of the space; the patterns of the holes on the sound-absorbing wall panel were penetrated to express musical rhythm, which have been enhanced when lit by LED. The color of seats, varied like sound waves, presented vigorous vitality of the campus and created immemorable strong image for both performers and audiences.