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Bus Terminal Tokyo Yaesu

Nihonsekkei

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Boarding gates_ The curved extrusion of the white cove creates White Clouds on a Dark Sky.  - ToLoLo studio
Waiting and boarding area_ The Racetrack around the Clouds. Fast and Slow coexist while being distinct spaces. - ToLoLo studio
Waiting area for departure_ Floating ceiling like a "cloud" with sparse downlights in a star pattern. - ToLoLo studio
Boarding gates_ The curved extrusion of the white cove creates White Clouds on a Dark Sky.  - ToLoLo studio

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Governmental Interior
6.31
7.25
6.53
5.88
6.49
Anne-Rachel Schiffmann
Anne-Rachel Schiffmann Director of Interior Architecture at Snøhetta
7
8
7.5
7
7.38
Nicolas Delefosse
Nicolas Delefosse Founder and Creative Director at NDDO
6
7.5
6
5
6.13
Dennis Vlietinck
Dennis Vlietinck Head of Design at Wink
7
7
7
7
7
Giovanni Zaccariello
Giovanni Zaccariello SVP Global Visual Experience  at Coach
6
7
6
6
6.25
Gilbert Khalil
Gilbert Khalil Director of Design and Technical Services at Sunset Hospitality Group
7
8
7
5
6.75
Farid Ziani
Farid Ziani Partner Architect Designer at KTX archiLAB
5
7
5.5
5.5
5.75
Jocelyne Sacre
Jocelyne Sacre Design Strategist at Consultant
6.5
7
7
5
6.38
Asif Din
Asif Din Sustainability Director at Perkins&Will
7
8
7
5.5
6.88
Deepak Jawahar
Deepak Jawahar Cofounder at The Architecture Story
6
7
6
5.5
6.13
Sontaya Bluangtook
Sontaya Bluangtook Associate Design Director at UNStudio
7
7
7.5
7
7.13
Lisa Adams
Lisa Adams Director of CitizenHKS & Sustainable Design Leader at HKS
5.5
6.5
5.5
5
5.63
Cathy Figueiredo
Cathy Figueiredo Cofounder at Wanna
I appreciate the well-executed anal...
5
7
6
5
5.75
Klein Dai
Klein Dai CEO at Algebraist Brand Management
7
7
7
7
7
Baoyu Tian
Baoyu Tian General Manager at Foshan Shengtianjia Lighting Equipment
6
7
6
6
6.25
Liqun Lin
Liqun Lin Executive Director at Xiamen Wenqu Decoration Design
7
8
7.5
7
7.38
Bangsheng Yang
Bangsheng Yang Founder at Yang & Associates Group
6
7
6
5.5
6.13
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Governmental Interior of the Year
6.31
7.25
6.53
5.88
6.49
Gokhan Avcioglu
Gokhan Avcioglu Principal and Founder at Global Architecture Development
A nicely organized and functional i...
6.31
7.25
6.53
5.88
6.49
Allison Rowe
Allison Rowe Former Head of Design at SPACE10
The 'floating clouds' concept is ev...
6.31
7.25
6.53
5.88
6.49
Chantal Vos
Chantal Vos Associate Partner at Kraaijvanger Architects
6.31
7.25
6.53
5.88
6.49
Jai Kumaran
Jai Kumaran Partner at West of West
Clean and simple but lacking innova...
6.31
7.25
6.53
5.88
6.49
Louise Braverman
Louise Braverman Founding Principal at Louise Braverman Architect
6.31
7.25
6.53
5.88
6.49
Designer
Client
Urban Renaissance Agency
Floor area
7119 ㎡
Completion
2022
Basic Design,Detailed Design
Detailed Design
Collaboration
Collaboration
Construction
Bus Terminal Operator

"Toward the ideal bus terminal."

As a new gateway in front of Tokyo Station, the first phase of the largest bus terminal in Japan, Bus Terminal Tokyo Yaesu has opened in front of Tokyo Station by Urban Renaissance Agency. We provided design direction, including project promotion design, space design, and design management, to realize a bus terminal suitable for the Tokyo Station.

The goal was to improve terminal spaces in Japan, as most are purely utilitarian in design and are lacking in spatial awareness.The spatial form of the bus terminal is a one-room space where movement and stillness coexist. The spatial design concept of "Floating Clouds on a Dark Sky" was created as a guideway for each activity.The whole space was divided into movement space and stillness space with different spatial symbols. The movement space connecting the boarding gates has a darkened high-ceiling with distinct line lightings for wayfinding. On the other hand, stillness space including waiting areas and ticket booths has floating ceiling like a "cloud" illuminated by indirect lighting to create a scene of departure.

The unique curved design details were applied at the corner guards, floor, and ceiling openings to meet both the functional requirement as a public transportation facility and the design to create a sense of the extraordinary. For saving costs, the material is composed of general ones. Instead, their shape or combinations were figured out not to have a boring space.

In such big project, different part of designs tends to lose their integrity due to the difference of ordering entities. However, in this project, we conducted overall design management with issuing "design guidelines" for related works―sign, furniture and so on.

In the sign plan, the priority of information was carefully evaluated and taken into design. The number signs indicating each boarding gate is the most important information for users, so we designed the columns as biggest sign boards to show them, which otherwise could be just obstacles. And this also works as an accent of the entire space.Since the project opens sequentially in three steps, we made it possible to change the sign easily by selecting the zinc-coated steel plate as columns finishings and cutting sheets for the number sign.

Also, for capturing the intention of many stakeholders, we used BIM which can visualize the process of studies easily. This also helped us to realize our concept even in such a large-scale project.

This project can be a challenge to open up the new design field-Bus terminal.