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ANZ Gothic Specialist Hub & Banking Museum

Foolscap Studio

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Joe Vittorio
Restored 1887 mosaic tiles - Joe Vittorio
Concierge desk joinery created from existing counters, bespoke glass detailing, mosaic tiles - Joe Vittorio
Joe Vittorio

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Cultural Space
7.55
7.47
7.87
7.62
7.63
Arthur Guimarães
Arthur Guimarães Chief Executive Officer at Arthur Guimarães Architects
Well designed project! The overall...
8.5
8
8.5
7
8
Mark Eric Magno
Mark Eric Magno Principal at Aedas Interiors
Terrific use of existing materials,...
7.5
7
8
9
7.88
Jessica Adkins
Jessica Adkins Brand Experience Design Lead Europe at M Moser Associates
8
7.5
8
8
7.88
Xuechen Chen
Xuechen Chen Architectural Designer at X.C Studio
The design excels in historical ren...
8
7.5
8.5
8
8
Josse Popma
Josse Popma Partner at Popma ter Steege Architects
A lot of careful detailed design. T...
7
7
7
7
7
Zizhao Li
Zizhao Li Cofounder and Chief Designer at DSC · Design
7
7
8
9
7.75
Burton Baldridge
Burton Baldridge Founder at Baldridge Architects
7
8
8
8
7.75
Suvi Saloniemi
Suvi Saloniemi Head of Exhibitions at Finnish Museum of Architecture and Design Museum
9
8
9
8
8.5
Serhii Makhno
Serhii Makhno Founder at MAKHNO Studio
7
7
8
8
7.5
Mike McGirr
Mike McGirr Managing Partner and Design Principal at red design
7.74
8.54
9.26
9.62
8.79
Pooja Shah-Mulani
Pooja Shah-Mulani Partner and Design Director at LW Design
7
6
7
5
6.25
Anna Gitelman
Anna Gitelman Associate Professor at Suffolk University
7
8
8
7
7.5
Katie Mitchell
Katie Mitchell Managing Director at Seen Studios
8
7
7
7
7.25
Wenqing Zhou
Wenqing Zhou Founder at Add Culture & Creative Development
8
8
7.5
7.5
7.75
Harkaran Singh Boparai
Harkaran Singh Boparai Founder at Space 5
7
8
7
7
7.25
Yan Zhang
Yan Zhang Cofounder at say architects
7.13
7.02
7.13
6.81
7.02
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
JURY VOTES
Exhibition
7.29
7.56
7.57
7.58
7.5
Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Cultural Space of the Year
7.73
7.51
7.91
7.70
7.71
Abby Scott
Abby Scott Interior Design Principal at HDR
Reuse and revitalization is the cor...
8.22
7.64
8.05
7.62
7.88
Andrea Zickhardt
Andrea Zickhardt Managing Director at Holzer Kobler Architekturen
7.55
7.5
7.87
7.62
7.64
Arianna Bavuso
Arianna Bavuso Cofounder at AB+AC Architects
7.55
7.47
7.87
7.62
7.63
Anna Gitelman
Anna Gitelman Associate Professor at Suffolk University
7.8
7.47
7.88
8
7.79
Sneha Divias
Sneha Divias Founder at Sneha Divias Atelier
7.55
7.47
7.87
7.62
7.63
Client
ANZ
Floor area
750 ㎡
Completion
2024
Social Media
Instagram Facebook Linkedin
Furniture
Furniture
Finishes
Furniture

Foolscap Studio have redesigned ANZ’s heritage-listed Gothic Bank to incorporate a specialist hub and banking museum. The Gothic Revival bank built in 1887 is Australia’s most notable example of a secular building in this style. The restoration and design celebrates intricate craftsmanship, shares ANZ’s history, and creates a forward-thinking space optimised for customers’ changing needs.

Foolscap Studio were innovative in their sympathetic yet progressive approach; seamlessly integrating modern amenities to better activate the space while showcasing the interior’s existing history and meeting strict security necessities. Foolscap removed the under-utilised teller counters to reinstate the bank’s original footprint and repurposed this cabinetry to create joinery pieces used throughout the branch and museum. Touchscreens were incorporated into these showcase cabinets to present interactive multimedia content while also displaying physical artefacts within the same unit. Motorised hydraulic lift mechanisms were also incorporated into these units to raise the 1.7m2 glass hoods and reveal artefacts displayed on top of plinths.

The floorplan’s reconfiguration also allowed the uncovering and restoration of the foyer’s original mosaic tiles – 35% of which were refurbished or replicated using traditional techniques – and optimised access to view the original 110m2 glass skylight. Further restoration included the reinstatement of 23 karat gold leaf stencilling on columns.

The museum’s custom joinery pieces were functionally designed to be used flexibly as a family, with the plinths’ ability to be reconfigured in multiple ways to facilitate temporary exhibition displays. These were also designed for disassembly to make way for large-scale events. Specific documentation of split batten fixings rather than glue was included on all joinery to ensure circular design for disassembly.

Further melding the existing fabric with new design elements, Foolscap took graphic cues from the ceiling’s Japanese wallpaper and applied these motifs in the new carpet. Innovative technology such as transparent LED film was creatively utilised to conceal a meeting pod with video content.

To continue the bank’s history of employing local craftspeople, Foolscap Studio collaborated with furniture-maker Hugh McCarthy and glass artist Liam Fleming to create bespoke pieces for the space. These considerate contemporary elements complement the architecture’s history while recognising the next generation of craftspeople.

This project is inherently sustainable in its optimisation of existing yet under-utlised spaces, materials, and furniture. As well as the repurposed counters, a considerable amount of existing furniture from the client’s storage was used – including 20 year old Cassina cab chairs. Where new furniture was necessary, Melbourne-based manufacturers were selected to support local industry while ensuring low transportation emissions and strong supplier accountability.