The Nagomi collection, created in collaboration with architect Hadi Teherani, translates the conversation between space and design into form, elevating ceramic decoration to an act of aesthetic harmonization and environmental sensitivity. Proudly incorporating a significant percentage of glass derived from the recycling of cathode ray tubes, once the beating heart of monitors and television screens, Mirage and Hadi Teherani pay homage to a narrative of sustainability that intertwines past, present, and future.

The project's name is inspired by a Japanese word evoking harmony and serenity, representing the essence of this new creation, which celebrates balance in the beauty of simplicity. Nagomi arises from the ambition to innovate the concept of decoration, doing so consciously: each piece represents an element of a broader project, oriented towards a future where design respects and values the resources of our planet.

Starting from its most traditional form, the mosaic transforms into a language, a means through which to tell stories of spaces that live in harmony with those who inhabit them and the environment that hosts them. It is a synthesis of the rigor of architecture and the poetry of surfaces, the precision of technique, and the fluidity of natural forms. An equilibrium between the uniqueness of artisanal techniques and the precision of industrial production methods.

The result is a material connotation, a texture that evokes the artisanal decorative tradition reinterpreted through the lens of innovation and production efficiency. Nagomi interprets a new canon of beauty, founded on the appreciation of simplicity and
commitment to sustainability. A celebration of ceramics in conscious design, where simplicity rises as a manifesto of creativity.