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Mediterraneo

Sergio Mannino Studio

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Mondello and Venezia with one of the initial watercolor sketches - Sergio Mannino Studio
Piazza Armerina with the initial watercolor sketch - Sergio Mannino Studio
Ravenna and Lecce with the initial sketch - Sergio Mannino Studio
Mondello and Venezia with one of the initial watercolor sketches - Sergio Mannino Studio

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Comments
Innovation
Functionality
Creativity
Eco-Social Impact
Total
GRAND JURY VOTES
Shortlisted - Finishes of the Year
5.30
6.03
6.14
6.15
5.9
Sarah Kennedy
Sarah Kennedy Principal, Interior Design Director at CLB Architects
5.3
6.65
6.14
6.15
6.06
Ava Watson
Ava Watson Multidisciplinary Designer at Ava Watson
5.3
5.83
6.14
6.15
5.86
Andres Fredes
Andres Fredes Creative Director / Partner at ALLDSGN
5.3
6
6.14
6.15
5.9
Yorgo Lykouria
Yorgo Lykouria Creative Principal at Rainlight
The story of inspiration from Afric...
5.3
5.83
6.14
6.15
5.86
Alessandro Isola
Alessandro Isola Founder at Alessandro Isola
5.3
5.83
6.14
6.15
5.86
Dimension
121x183 cm
Completion
2022
Material
Natural Wool
Sergio Mannino Studio
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Mediterraneo is a series of 5 new rugs designed and produced by Sergio Mannino Studio. The collection is inspired by the traditional Italian terrazzo floor found in many Italian homes, especially from the 40s and 50s. The patterns are interpreted with Sergio's typical hand-drawn style giving them a new dimension and meaning. The rugs are produced in Nepal using natural wool and natural dyes. Nepalese rugs are more expensive than those from China and India because the government imposes strict rules on the weavers' wages and working conditions.

On Drawings and Design
 
"A few years ago, researchers found what is believed to be the oldest surviving testimony of human drawings in a cave in South Africa. It is around 74,000 years old. Lascaux in France is a lot "younger" at just 20,000. And they are both breathtaking. I am sure that even before these examples, our ancestors were already painting the walls of their caves, trees, tools, faces, bodies, and ornaments. It doesn't matter how or what, but we have been drawing for a very long time. It could be a gesture in the sand with a stick, the intricate decor of a cathedral facade, or a kid drawing for her mom, but we need to draw.

Drawing is, first of all, a form of communication, and that's likely why we developed the capacity to draw in the first place. Someone argues that we developed it in order to attract mates, just like birds developed colorful feathers. Or maybe we did it because we needed to express the mystery of existence, the darkness of the night, the fear of the unknown, or the joy of love. Who really knows? But we can't stop drawing because drawings are what make us human. They testify to the ability to symbolize our inner thoughts into stories. By sharing them, we affect the environment around us and also ourselves.

Maybe we need to draw to put a reference point in our existence, some sort of a compass to find our way, to know where we stand, or to cope with life and with the idea of mortality. At least it is for me, and it doesn't matter what I draw: a piece of furniture, a building, or just a pattern. The pattern or the décor is probably the most human type of drawing we can conceive because it's detached from a specific function other than producing pleasure and expressing our inner desires.

And so, we draw.

I draw, and that drawing changes me, then I draw again, and I change again. It's almost like the work I produce is an extension of myself on paper. In a way, it's more myself than I am, in an eternal vibrating cycle. When you think of all the people around the world, these vibrations, sounds coming from a single individual integrated into a symphony played by millions of others, are at the core of what Design is. It is not functions, not problem-solving, not marketing. It's the desire to make sense of the symphony or even just acknowledge that we can never grasp its essence at all."

Sergio Mannino 2022